Of art and blasphemy
Ethical Theory and Moral Practice 3 (2):137-167 (2000)
| Abstract | What does philosophy have to say about the argument that blasphemous art ought not to be publicly displayed? We examine four concepts of blasphemy: blasphemy as offence, attack on religion, attack on the sacred, attack on the blasphemer himself. We argue all four are needed to grasp this complex concept. We also argue for blasphemy as primarily a moral, not a religious concept. We then criticise four arguments for the public display of blasphemous art: it may be beautiful, provocative, devoutly intended, and is autonomous of religious concerns. Finally, we discuss the notions of blasphemy and blasphemous art as public offences. We conclude that the display of blasphemous art is a public, and not merely a private moral offence, and that there are respectable philosophical arguments for this conclusion. | |||||||||
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Nicolas Whybrow (2011). Art and the City. Distributed in the U.S. And Canada Exclusively by Palgrave Macmillan.
Christy Mag Uidhir & P. D. Magnus (2011). Art Concept Pluralism. Metaphilosophy 42 (1-2):83-97.
Marilyn Mccord Adams (2003). In Praise of Blasphemy. Philosophia 30 (1-4):33-49.
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Vladimir Marchenkov (2002). Art and Religion in the Age of Denounced Master-Narratives. Philosophy in the Contemporary World 9 (1):71-82.
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Kathleen Kadon Desmond (2011). Ideas About Art. Wiley-Blackwell.
Dominic McIver Lopes (2007). Art Without ‘Art’. British Journal of Aesthetics 47 (1):1-15.
Merritt Y. Hughes (1955). A Meditation on Literary Blasphemy. Journal of Aesthetics and Art Criticism 14 (1):106-115.
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