The Symbolic, the Sublime, and Slavoj Žižek's Theory of Film
Palgrave Macmillan (2012)
| Abstract | From film theory to post-theory -- Sublime objects of cinema -- Class struggle in film studies -- Interlude: the pervert and the analyst -- Cinema, ideology, and form -- Enjoyment in the cinema -- Conclusion: theory as realism set in drive. | |||||||||
| Keywords | Motion pictures Philosophy | |||||||||
| Categories | ||||||||||
| Call number | PN1995.F565 2012 | |||||||||
| ISBN(s) | 9780230341470 | |||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,865 |
| External links | This entry has no external links. Add one. |
| Through your library | Configure |
Similar books and articlesVeijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
John Mullarkey (2009/2010). Philosophy and the Moving Image: Refractions of Reality. Palgrave Macmillan.
Gaston Roberge (1992). The Ways of Film Studies: Film Theory & the Interpretation of Films. Ajanta Publications.
Paul Willemen (1994). Looks and Frictions: Essays in Cultural Studies and Film Theory. British Film Institute.
J. Remes (2012). Motion(Less) Pictures: The Cinema of Stasis. British Journal of Aesthetics 52 (3):257-270.
Christian Metz (1974/1991). Film Language: A Semiotics of the Cinema. University of Chicago Press.
Hamish Ford (2012). Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time. Palgrave Macmillan.
Francesco Casetti (1999). Theories of Cinema, 1945-1995. University of Texas Press.
Richard Allen & Murray Smith (eds.) (1997). Film Theory and Philosophy. Oxford University Press.
Analytics
Monthly downloads
Sorry, there are not enough data points to plot this chart.
|
Added to index2012-05-28Total downloads0Recent downloads (6 months)0How can I increase my downloads? |
My notes
Discussion
