David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Estetika 48 (2):139-156 (2011)
Theodor W. Adorno’s criticism of human beings’ domination of nature is a familiar topic to Adorno scholars. Its connection to the central relationship between art and nature in his aesthetics has, however, been less analysed. In the following paper, I claim that Adorno’s discussion of art’s truth content (Wahrheitsgehalt) is to be understood as art’s ability to give voice to nature (both human and non-human) since it has been subjugated by the growth of civilization. I focus on repressed non-human nature and examine Adorno’s interpretation of Eduard Mörike’s poem ‘Mausfallen-Sprüchlein’ (Mousetrap rhyme). By giving voice to the repressed animal, Mörike’s poem manages to point towards the possibility of a changed relationship between mice and men, between nature and humanity, which is necessary in order to achieve reconciliation amongst humans as well
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Eric S. Nelson (2011). Revisiting the Dialectic of Environment: Nature as Ideology and Ethics in Adorno and the Frankfurt School. Telos: Critical Theory of the Contemporary 2011 (155):105-126.
Harriet Johnson (2011). Undignified Thoughts After Nature: Adorno's Aesthetic Theory. Critical Horizons 12 (3):372-395.
Alison Stone (2006). Adorno and the Disenchantment of Nature. Philosophy and Social Criticism 32 (2):231-253.
M. W. Skees (2011). Kant, Adorno and the Work of Art. Philosophy and Social Criticism 37 (8):915-933.
G. I. Demiryol (2012). Film as a Mobilizing Agent? Adorno and Benjamin on Aesthetic Experience. Philosophy and Social Criticism 38 (9):939-954.
Roger Foster (2007). Adorno and Proust on the Recovery of Experience. Critical Horizons 8 (2):169-185.
James Gordon Finlayson (2015). The Artwork and the Promesse du Bonheur in Adorno. European Journal of Philosophy 23 (3):392-419.
Deborah Cook (2006). Adorno’s Critical Materialism. Philosophy and Social Criticism 32 (6):719-737.
Eric S. Nelson (2012). Aesthetics, Ethics and Nature in Adorno. In Jerome / Giles Carroll (ed.), Aesthetics and Modernity from Schiller to the Frankfurt School. Peter Lang
Deborah Cook (2007). Nature, Red in Tooth and Claw. Continental Philosophy Review 40 (1):49-72.
Peter Vallentyne (2005). Of Mice and Men: Equality and Animals. [REVIEW] Journal of Ethics 9 (3-4):403 - 433.
Babette Babich (2011). Adorno on Nihilism and Modern Science, Animals, and Jews. Symposium: The Canadian Journal of Continental Philosophy 15 (1):110-145.
Nick Smith (2007). Adorno Vs. Levinas: Evaluating Points of Contention. [REVIEW] Continental Philosophy Review 40 (3):275-306.
J. M. Bernstein (2001). Adorno: Disenchantment and Ethics. Cambridge University Press.
Added to index2011-11-19
Total downloads26 ( #115,439 of 1,724,889 )
Recent downloads (6 months)1 ( #349,126 of 1,724,889 )
How can I increase my downloads?