Online research in philosophy

As most commentators on Japanese aesthetics agree, the Japanese aesthetic is pervaded by a profound affirmation of things in their suchness or original uniqueness, and at the same time is tinged with an element of sadness or melancholy. While the responses of affirmation and melancholy seem rather subjective and may—at first glance—appear inconsistent with Buddhist notions like anatman, or non-self and the Buddhist demand for non-attachment, I shall argue that a more careful reading of certain Buddhist doctrines, specifically the doctrine of dependent origination or pratitya-samutp da, reveals that the basic tenets of Buddhism are not only consistent with these sorts of subjective responses, but in fact serve to help explain the dual nature of the Japanese aesthetic. Accordingly, I shall suggest that given the undeniable influence Buddhism has had on Japanese culture, it seems likely that the doctrine of dependent origination is not only compatible with, but also contributed to the formation of what we regard as the Japanese aesthetic.

The understanding of this spiritual movement is an important key to the understanding of the contemporary Japanese state of mind, and The Buddhist Sects of ...

The Danish philosopher Kierkegaard (1813-1855) is an enigmatic thinker whose works call out for interpretation. One of the most fascinating strands of this interpretation is in terms of Japanese thought. Kierkegaard himself knew nothing of Japanese philosophy, yet the links between his own ideas and Japanese philosophers are remarkable.. This book examines Kierkegaard in terms of Shinto, Pure Land Buddhism, Zen Buddhism, the Samurai, the famous Kyoto school of Japanese philosophers, and in terms of pivotal Japanese thinkers who were influenced by Kierkegaard.

Paperback reissue of Rebel Buddha: on the road to freedom.