Are There No Things That are Scientific Theories?

Abstract
The ontological status of theories themselves has recently re-emerged as a live topic in the philosophy of science. We consider whether a recent approach within the philosophy of art can shed some light on this issue. For many years philosophers of aesthetics have debated a paradox in the (meta)ontology of musical works (e.g. Levinson [1980]). Taken individually, there are good reasons to accept each of the following three propositions: (i) musical works are created; (ii) musical works are abstract objects; (iii) abstract objects cannot be created. However it seems clear that, if one wants to avoid inconsistency, one cannot commit to all three. Following up recent developments courtesy of Cameron ([2008a]), we consider how one might respond to the corresponding set of propositions in the (meta)ontology of scientific theories
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References found in this work BETA
Ross Cameron (2008). There Are No Things That Are Musical Works. British Journal of Aesthetics 48 (3):295-314.
Citations of this work BETA
E. C. Bourne (2013). Fictionalism. Analysis 73 (1):147-162.
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