David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Oxford University Press (2001)
From Andy Warhol's Brillo boxes to provocative dung-splattered madonnas, in today's art world many strange, even shocking, things are put on display. This often leads exasperated viewers to exclaim--is this really art? In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern often sensational works, back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. She also guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor. It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.
|Keywords||Art Philosophy Aesthetics|
|Categories||categorize this paper)|
|Buy the book||$0.89 used (95% off) $7.25 new (52% off) $12.46 direct from Amazon (17% off) Amazon page|
|Call number||N71.F653 2001|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Elizabeth Prettejohn (2005). Beauty and Art, 1750-2000. Oxford University Press.
Nick Zangwill (1999). Art and Audience. Journal of Aesthetics and Art Criticism 57 (3):315-332.
Dominic McIver Lopes (2007). Conceptual Art is Not What It Seems. In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and Conceptual Art. Oxford University Press
Richard Thomas Eldridge (2003). An Introduction to the Philosophy of Art. Cambridge University Press.
Cynthia Freeland (2009). What Happened to Art Criticism? By Elkins, James Critical Mess: Art Critics on the State of Their Practice Edited by Rubinstein, Raphael. Journal of Aesthetics and Art Criticism 67 (2):245-247.
Lars Aagaard-Mogensen (ed.) (1976). Culture and Art: An Anthology. Humanities Press.
Kathleen Kadon Desmond (2011). Ideas About Art. Wiley-Blackwell.
Cynthia Freeland (2001/2003). Art Theory: A Very Short Introduction. Oxford University Press.
Added to index2009-01-28
Total downloads74 ( #37,007 of 1,707,713 )
Recent downloads (6 months)3 ( #205,228 of 1,707,713 )
How can I increase my downloads?