André Bazin's ontology of photographic and film imagery
Journal of Aesthetics and Art Criticism 63 (4):339–350 (2005)
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David Brubaker (1993). André Bazin on Automatically Made Images. Journal of Aesthetics and Art Criticism 51 (1):59-67.
Scott Walden (2005). Objectivity in Photography. British Journal of Aesthetics 45 (3):258-272.
Peter Osborne (2010). Infinite Exchange: The Social Ontology of the Photographic Image. Philosophy of Photography 1 (1):59-68.
Allan Casebier (1991). Film and Phenomenology: Toward a Realist Theory of Cinematic Representation. Cambridge University Press.
Robert Hopkins (2008). What Do We See in Film? Journal of Aesthetics and Art Criticism 66 (2):149–159.
Dudley Andrew (2010). What Cinema Is!: Bazin's Quest and its Charge. Wiley-Blackwell.
Daniel Morgan (2010). Rethinking Bazin : Ontology and Realist Aesthetics. In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.
André Bazin (2010). The Evolution of the Language of Cinema. In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.
André Bazin (2010). The Ontology of the Photographic Image. In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.
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