The Art of Social Forms and the Social Forms of Art: The Sociology-Aesthetics Nexus in Georg Simmel's Thought
Sociological Theory 26 (4):344 - 362 (2008)
| Abstract | This article examines the sociology-aesthetics nexus in Georg Simmel's thought. The article suggests that it is useful to divide Simmel's linking of sociology and aesthetics into three distinct types of propositions: (1) claims regarding the parallels between art and social form (the "art of social forms"); (2) statements regarding principles of sociological ordering in art and aesthetic objects (the "social forms of art"); and (3) analytical propositions where aesthetic and social factors are shown to work in combination. In the latter case, the sociology-aesthetic nexus moves beyond mere analogy. It is argued that in those instances where Simmel shows that aesthetic factors are central to the social bond the linking of aesthetics and sociology is theoretically most insightful. | |||||||||
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Gary Backhaus (1998). Georg Simmel as an Eidetic Social Scientist. Sociological Theory 16 (3):260-281.
Frederic Vandenberghe (1999). Simmel and Weber as Ideal-Typical Founders of Sociology. Philosophy and Social Criticism 25 (4):57-80.
Arnold Berleant (2005). Aesthetics and Environment: Variations on a Theme. Ashgate Pub. Ltd..
Georg Simmel (1968). The Conflict in Modern Culture. New York, Teachers College Press.
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Cristian Hainic (2012). The Societal Dimension of Art: On Mara Raţiu’s Art as Social Activity. [REVIEW] Journal for Communication and Culture 2 (1):105-109.
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Paul Mattick (ed.) (1993). Eighteenth-Century Aesthetics and the Reconstruction of Art. Cambridge University Press.
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