Abstract
With the 1999 film The Martix as its point of departure, this work explores the meaning of ‘reality’ outside the scope of empirical positivism. Drawing on the phenomenological epistemology of the interplay of noetic and noematic dimensions of experience postulated by Husserl, and on the works of Heidegger and Merleau-Ponty, this work considers how the reality of our experience derives not from some correspondence to a universal ‘objective’ point of view, but from our concernful involvement with our lived world as the horizon of our lived and known projects. Finally, in light of Ricoeur’s work on imagination and productive reference, this work considers whether and on what grounds the distinction between so called ‘real’ and ‘virtual’ experiences is meaningful