On Representing Jazz: An Art Form in Need of Understanding
Philosophy and Literature 26 (1):188-198 (2002)
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Garry L. Hagberg (2008). Jazz Improvisation and Ethical Interaction : A Sketch of the Connections. In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell Pub..
Theodore Gracyk (2002). Jazz After Jazz : Ken Burns and the Construction of Jazz History. Philosophy and Literature 26 (1):173-187.
Robert W. Witkin (2000). Why Did Adorno "Hate" Jazz? Sociological Theory 18 (1):145-170.
Joseph D. Lewandowski (1996). Adorno on Jazz and Society. Philosophy and Social Criticism 22 (5):103-121.
Roger Taylor (1978). Art, an Enemy of the People. Harvester Press.
Paul E. Rinzler (2008). The Contradictions of Jazz. Scarecrow Press.
Lee B. Brown (2008). Art From Start to Finish: Jazz, Painting, Writing, and Other Improvisations Edited by Becker, Howard S., Robert R. Faulkner, and Barbara Kirshenblatt-Gimblett. Journal of Aesthetics and Art Criticism 66 (2):205–208.
Neil P. Hurley (1969). Toward a Sociology of Jazz. Thought 44 (2):219-246.
Suhhyun Park (2008). Hermeneutical Circle in the Understanding of Art. Proceedings of the Xxii World Congress of Philosophy 21:45-52.
Gary Iseminger (2010). Sonicism and Jazz Improvisation. Journal of Aesthetics and Art Criticism 68 (3):297-299.
Lee B. Brown (1999). Postmodernist Jazz Theory: Afrocentrism, Old and New. Journal of Aesthetics and Art Criticism 57 (2):235-246.
Robert Kraut (2005). Why Does Jazz Matter to Aesthetic Theory? Journal of Aesthetics and Art Criticism 63 (1):3–15.
James O. Young & Carl Matheson (2000). The Metaphysics of Jazz. Journal of Aesthetics and Art Criticism 58 (2):125-133.
John M. Carvalho (2010). Repetition and Self-Realization in Jazz Improvisation. Journal of Aesthetics and Art Criticism 68 (3):285-290.
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