Art history, the problem of style, and Arnold Hauser's contribution to the history and sociology of knowledge
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Studies in East European Thought 64 (1-2):121-142 (2012)
Much of Arnold Hauser’s work on the social history of art and the philosophy of art history is informed by a concern for the cognitive dimension of art. The present paper offers a reconstruction of this aspect of Hauser’s project and identifies areas of overlap with the sociology of knowledge—where the latter is to be understood as both a separate discipline and a going intellectual concern. Following a discussion of Hauser’s personal and intellectual background, as well as of the shifting political and academic setting of his work, the paper addresses one of Hauser’s central questions, viz. how best to square a thoroughgoing commitment to the social nature of art with the reality of successive artistic styles, given that the latter seem to be characterizable on purely formal grounds. This is followed by a discussion of Hauser’s conflicted views on the relation between art, science, and technology. This injects a tension into Hauser’s work, due to his initial reluctance to explain just how the aesthetic and the cognitive realms relate. The final part of the paper, through a closer examination of the analogies and disanalogies that Hauser sees between art history and the history of science, attempts to give a positive answer—“on Hauser’s behalf”, as it were—to the question of whether art may be credited with a specific cognitive dimension of its own, and if so, what its contribution to our cognitive enterprise may consist in
|Keywords||Hauser Philosophy of art history Problem of style Sociology of knowledge Science and art|
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References found in this work BETA
Peter Burke (2004). What is Cultural History? Polity Press.
Lee Congdon (2004). Arnold Hauser and the Retreat From Marxism. In Tamás Demeter (ed.), Essays on Wittgenstein and Austrian Philosophy. Rodopi. 41--61.
Tamás Demeter (2008). The Sociological Tradition of Hungarian Philosophy. Studies in East European Thought 60 (1-2):1-16.
Éva Forgács (2008). The Safe Haven of a New Classicism: The Quest for a New Aesthetics in Hungary 1904-1912. Studies in East European Thought 60 (1/2):75 - 95.
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