David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
AI and Society 27 (2):197-205 (2012)
Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape not simply through its servitude to the creative process, but as its partner. However, there is a rich history of the use of data that no doubt has paved the way for many of today’s experiments including my own
|Keywords||Music Sonic art Music history Algorithmic composition DNA music|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Scot Gresham-Lancaster (2012). Relationships of Sonification to Music and Sound Art. AI and Society 27 (2):207-212.
Florian Grond & Thomas Hermann (2012). Aesthetic Strategies in Sonification. AI and Society 27 (2):213-222.
Marty Quinn (2012). “Walk on the Sun”: An Interactive Image Sonification Exhibit. [REVIEW] AI and Society 27 (2):303-305.
Stephen Barrass (2012). The Aesthetic Turn in Sonification Towards a Social and Cultural Medium. AI and Society 27 (2):177-181.
John Eacott (2012). Flood Tide: Sonification as Musical Performance—an Audience Perspective. [REVIEW] AI and Society 27 (2):189-195.
Todd Harris (2003). Data Models and the Acquisition and Manipulation of Data. Philosophy of Science 70 (5):1508-1517.
Robin Maconie (1990). The Concept of Music. Oxford University Press.
William F. Brewer & Clark A. Chinn (1994). Scientists' Responses to Anomalous Data: Evidence From Psychology, History, and Philosophy of Science. PSA: Proceedings of the Biennial Meeting of the Philosophy of Science Association 1994:304 - 313.
Lorella Abenavoli (2012). The Pulse of the Earth and Sonification. AI and Society 27 (2):277-279.
Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.
Peter Sinclair (2012). Sonification: What Where How Why Artistic Practice Relating Sonification to Environments. [REVIEW] AI and Society 27 (2):173-175.
Andrew Hugill (2008). The Digital Musician. Routledge.
Added to index2011-08-31
Total downloads12 ( #180,483 of 1,696,220 )
Recent downloads (6 months)1 ( #333,709 of 1,696,220 )
How can I increase my downloads?