Cognitivism and the arts
Philosophy Compass 3 (4):573-589 (2008)
| Abstract | Cognitivism in respect to the arts refers to a constellation of positions that share in common the idea that artworks often bear, in addition to aesthetic value, a significant kind of cognitive value. In this paper I concentrate on three things: (i) the challenge of understanding exactly what one must do if one wishes to defend a cognitivist view of the arts; (ii) common anti-cognitivist arguments; and (iii) promising recent attempts to defend cognitivism. | |||||||||
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Glenn Parsons (2002). Nature Appreciation, Science, and Positive Aesthetics. British Journal of Aesthetics 42 (3):279-295.
Jonathan Knowles (2000). Knowledge of Grammar as a Propositional Attitude. Philosophical Psychology 13 (3):325 – 353.
Krister Bykvist & Jonas Olson (2009). Expressivism and Moral Certitude. Philosophical Quarterly 59 (235):202-215.
Adam M. Croom (2010). Thick Concepts, Non-Cognitivism, and Wittgenstein's Rule Following Considerations. South African Journal of Philosophy 29 (3):286-309.
Nick Zangwill (2009). Non-Cognitivism and Motivation. In Constantine Sandis (ed.), New Essays on the Explanation of Action. Palgrave Macmillan.
Frederick Adams & Kenneth Aizawa (2010). The Value of Cognitivism in Thinking About Extended Cognition. Phenomenology and the Cognitive Sciences 9 (4):579-603.
Kenneth Aizawa (2010). The Value of Cognitivism in Thinking About Extended Cognition. Phenomenology and the Cognitive Sciences 9 (4):579-603.
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