Narrative, Emotion, and Insight
John Gibson & Noel Carroll (eds.)
Penn State UP (2011)
| Abstract | While narrative has been one of liveliest and most productive areas of research in literary theory, discussions of the nature of emotional responses to art and of the cognitive value of art tend to concentrate almost exclusively on the problem of fiction: How can we emote over or learn from fictions? Narrative, Emotion, and Insight explores what would happen if aestheticians framed the matter differently, having narratives—rather than fictional characters and events—as the object of emotional and cognitive attention. The book thus opens up new possibilities for approaching questions about the ethical, educative, and cultural value of art. The nine essays in this volume introduce the study of narrative to contemporary aesthetics. | |||||||||
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Aaron Smuts (2011). Rubber Ring: Why Do We Listen to Sad Songs? In John Gibson & Noel Carroll (eds.), Narrative, Emotion, and Insight. Penn State UP.
Andrew Abbott (2007). Against Narrative: A Preface to Lyrical Sociology. Sociological Theory 25 (1):67 - 99.
Jochen Kleres (2011). Emotions and Narrative Analysis: A Methodological Approach. Journal for the Theory of Social Behaviour 41 (2):182-202.
Peter Goldie (2003). One's Remembered Past: Narrative Thinking, Emotion, and the External Perspective. Philosophical Papers 32 (3):301-319.
Peter Goldie (ed.) (2010). The Oxford Handbook of Philosophy of Emotion. Oxford University Press.
John Cogan (2003). Emotion and the Growth of Consciousness: Gaining Insight Through a Phenomenology of Rage. Consciousness and Emotion 4 (2):207-241.
Noël Carroll (2007). Narrative Closure. Philosophical Studies 135 (1):1 - 15.
John Gibson (2011). Thick Narratives. In John Gibson Noel Carroll (ed.), Narrative, Emotion, and Insight. PSUP.
Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
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