David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Philosophical Studies 155 (2):289-305 (2011)
I develop and defend the following functional view of art: a work of art typically possesses as an essential feature one or more points, purposes, or ends with reference to the satisfaction of which that work can be appropriately evaluated. This way of seeing a work’s artistic value as dependent on its particular artistic ends (whatever they may be) suggests an answer to a longstanding question of what sort of internal relation, if any, exists between the wide variety of values (moral, cognitive, aesthetic, etc.) that may be possessed by works of art and their value qua works of art
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References found in this work BETA
Judith Jarvis Thomson (2008). Normativity. Open Court.
Ruth G. Millikan (1989). In Defense of Proper Functions. Philosophy of Science 56 (June):288-302.
Kit Fine (1995). Ontological Dependence. Proceedings of the Aristotelian Society 95:269 - 290.
Christine M. Korsgaard (1997). The Normativity of Instrumental Reason. In Garrett Cullity & Berys Gaut (eds.), Ethics and Practical Reason. Oxford: Clarendon Press
Citations of this work BETA
Shen-yi Liao (2014). Explanations: Aesthetic and Scientific. Royal Institute of Philosophy Supplement 75:127-149.
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