David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
AI and Society 17 (1):12-24 (2003)
The power of some new entrants to the music industry derives from their position as brokers in computer-mediated environments. Brokers act instrumentally to exploit their position within a network which, in turn, depends on their ability to build and sustain links (and, in computer-mediated environments, hyperlinks). Bricolage in computer-mediated entrepreneurship refers to the intuitive manipulation of resources in order to achieve (perhaps tacit) goals. Without careful stewardship of the new intellectual wealth thus created, bricolage may profit neither the individual nor the wider community
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Mei-Fang Chen & Ya-Hui Yen (2011). Costs and Utilities Perspective of Consumers' Intentions to Engage in Online Music Sharing: Consumers' Knowledge Matters. Ethics and Behavior 21 (4):283 - 300.
Wee Liang Tan, John N. Williams & Teck Meng Tan (2005). Defining the 'Social' in 'Social Entrepreneurship': Altruism and Entrepreneurship. International Entrepreneurship and Management Journal 1:353-365.
Colin Jones (2006). Contemplating an Evolutionary Approach to Entrepreneurship. World Futures 62 (8):576 – 594.
George G. Brenkert (2002). Entrepreneurship, Ethics, and the Good Society. The Ruffin Series of the Society for Business Ethics 2002:5-43.
Nancy C. Roberts (2006). Public Entrepreneurship as Social Creativity. World Futures 62 (8):595 – 609.
Kali Penney, Jeremy Snyder, Valorie A. Crooks & Rory Johnston (2011). Risk Communication and Informed Consent in the Medical Tourism Industry: A Thematic Content Analysis of Canadian Broker Websites. [REVIEW] BMC Medical Ethics 12 (1):17-.
Robert A. Miller (2005). Lifesizing Entrepreneurship: Lonergan, Bias and the Role of Business in Society. [REVIEW] Journal of Business Ethics 58 (1-3):219 - 225.
Dominique Martin (2012). The Red Market: On the Trail of the World's Organ Brokers, Bone Thieves, Blood Farmers, and Child Traffickers. [REVIEW] Journal of Bioethical Inquiry 9 (2):205-207.
Charles M. Ess (2010). Trust and New Communication Technologies: Vicious Circles, Virtuous Circles, Possible Futures. [REVIEW] Knowledge, Technology and Policy 23 (3-4):287-305.
Daniel R. Gilbert Jr (2002). Ethics, Management, and the Existentialist Entrepreneur. The Ruffin Series of the Society for Business Ethics 2002:113-124.
Hyuk Kim (2012). Social Entrepreneurship in the Global Perspective. Proceedings of the International Association for Business and Society 23:98-110.
Saras D. Sarasvathy (2002). Entrepreneurship As Economics With Imagination. The Ruffin Series of the Society for Business Ethics 2002:95-112.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Laura Ahonen & Home Studio Aesthetics : Tracking Cultural Processes of Popular Music Production (2006). Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity / Paulo C. Chagas ; "When New Media Was the Big Idea" : Internet and the Rethinking of Pop-Music Languages / Gianni Sibilla ; Mediated Stardom, Constructed Images : The Value and Functioning of Authorship in Popular Music. In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki
Added to index2010-08-30
Total downloads12 ( #287,225 of 1,902,204 )
Recent downloads (6 months)6 ( #135,281 of 1,902,204 )
How can I increase my downloads?