David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Sartre Studies International 11 (s 1-2):195-206 (2005)
At a time when a "return to Sartre" is being heralded in France and elsewhere in preparation for the celebration of the centennial of his birth, it seems appropriate to ponder the nature and tenor of this renewal. To which aspects of Sartre's work are we returning as the centennial approaches, and are we doing so with fresh eyes or with the same critical prejudices that have obscured our appreciation of this work in the past? If one looks for answers to Bernard-Henri Lévy (aka BHL), the principal instigator of this current renewal, with specific regard to the genre that interests us in these pages—the theater—one is going to be sorely disappointed. For while Lévy considers Sartre "the first [writer]—the only [writer]—to know how to split himself equally well between being a theoretician and an accomplished storyteller," he lavishes this praise solely on the theory and practice of Sartre's novels: "The concept of engagement is not a political concept stressing the social duties of the writer; it is a philosophical concept highlighting the metaphysical powers of language. … Sartre … has never really written a novel with a [totalizing] thesis or message" (BHL 85, 86).
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Sarah Richmond (2007). Sartre and Bergson: A Disagreement About Nothingness. International Journal of Philosophical Studies 15 (1):77 – 95.
Elizabeth A. Bowman (2002). Thanks to BHL, France Rediscovers Her Hated Sartre. Sartre Studies International 8 (2):68-93.
Helena Grehan (2009). Performance, Ethics and Spectatorship in a Global Age. Palgrave Macmillan.
Andrew Ryder (2009). Sartre's Theater of Resistance: Les Mouches and the Deadlock of Collective Responsibility. Sartre Studies International 15 (2):78-95.
Christine Daigle (2004). Sartre and Nietzsche. Sartre Studies International 10 (2):195-210.
Adrian van den Hoven (2005). Sartre's Conception of Historiality and Temporality: The Quest for a Motive in Camus' the Stranger and Sartre's Dirty Hands. Sartre Studies International 11 (s 1-2):207-221.
Mary Warnock (1971). Sartre. Garden City, N.Y.,Anchor Books.
Gregory McCulloch (1994). Using Sartre: An Analytical Introduction to Early Sartrean Themes. Routledge.
Jean-François Gaudeaux (2006). Sartre: The Violence of History. Sartre Studies International 12 (1):50-58.
Added to index2009-01-28
Total downloads7 ( #428,064 of 1,906,946 )
Recent downloads (6 months)1 ( #468,570 of 1,906,946 )
How can I increase my downloads?