Studies in East European Thought 28 (4) (1984)
|Abstract||Osip Mandel''tam (1891–1938?) belongs among the greatest Russian poets of the twentieth century. During the thirties, when he led a tragic existence and felt a premonition of his inevitable violent death, Mandel''tam saw in Dante not only the greatest poet, but also his own superior teacher, and his poems of that period contain a tormented meditation on the masterpiece of Dante''s genius — theDivine Comedy.Epic poetry of Dante, Homer, Virgil and others was possible because the inner world of each poet was essentially at one with the ethos of the society in which he lived.|
|Keywords||No keywords specified (fix it)|
|Through your library||Configure|
Similar books and articles
William Mandel (1971). Soviet Women and Their Self-Image. Science and Society 35 (3):286 - 310.
William M. Mandel (1972). The Soviet Ecology Movement. Science and Society 36 (4):385 - 416.
William M. Mandel (1993). Socialism: Feasibility and Reality. Science and Society 57 (3):349 - 355.
Gerald G. Walsh (1941). The Comedy of Dante Alighieri. Thought 16 (1):174-176.
Dante (2006). The Divine Comedy. In Thomas L. Cooksey (ed.), Masterpieces of Philosophical Literature. Greenwood Press.
Christine O.’Connell Baur (2002). Dante As Philosopher at the Boundary of Reason. Proceedings of the American Catholic Philosophical Association 76:193-210.
Simon Ravenscroft (2011). Usury In The Inferno: Auditing Dante's Debt To The Scholastics. Comitatus 42:89-114.
Jason Aleksander (2010). The Aporetic Ground of Revelation’s Authority in the Divine Comedy and Dante’s Demarcation and Defense of Philosophical Authority. Essays in Medieval Studies 26:1-14.
John Woodhouse (ed.) (1997). Dante and Governance. Clarendon Press.
Marina Glazova (1988). The Artist as Transgressor in Mandel'štam's Poetry. Studies in East European Thought 36 (1-2).
Added to index2009-01-28
Total downloads4 ( #178,434 of 548,951 )
Recent downloads (6 months)0
How can I increase my downloads?