David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Studies in East European Thought 36 (1-2):1-61 (1988)
In Mandel'tam's writing, artistic creativity is described as based on the indispensable yet contradictory modes of compliance and deviation. The artist, by his artistic nature, must be an obedient disciple to the tradition that inspires him, and, at the same time, a violator who renders what inspires him in an individual form. Thus, art implies iterability through novelty. In the totalitarian state, this double nature of art acquires a sinister context and brings the artist to an unavoidable conflict with the state. He has a choice between a servile compliance with the state's command and artistic independence. If the artist complies, he loses his ingenuity; if, on the other hand, he has the courage to break away from the established order, his fate is martyrdom. The criteria of truth and falsehood, the issue of loyalty, of compromise and collaboration or resistance become most relevant. Such words as outcast or non-contemporary acquire the meaning of non-collaborationist or enemy of the people. In the totalitarian state a genuine artist is viewed as a law-breaker, and his art leads him to crime. The notions of compliance and deviation cease being merely aesthetic terms and assume in Mandel'tam's poetry complex, subtle and tragic overtones
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Roman Dykast (2010). Otakar Zich: Aesthetic and Artistic Evaluation, Parts 2 & 3. Estetika 47 (1):71-95.
Roman Dykast (2009). Otakar Zich: Aesthetic and Artistic Evaluation, Part 1. Estetika 46 (2):179-201.
Kathleen Stock (2005). On Davies' Argument From Relational Properties. Acta Analytica 20 (4):24-31.
Thomas Ewens (1992). Vocation of the Artist. Philosophy and Theology 6 (4):329-352.
Erich Neumann (1959/1971). Art and the Creative Unconscious: Four Essays. Princeton University Press.
Dale Jacquette (ed.) (1996). Schopenhauer, Philosophy, and the Arts. Cambridge University Press.
Jonathan Gilmore (1995). David Carrier's Art History. Journal of Aesthetics and Art Criticism 53 (1):39-47.
Marina Glazova (1984). Mandel'štam and Dante: Thedivine Comedy in Mandel'štam's Poetry of the 1930s. Studies in East European Thought 28 (4):281-335.
Added to index2009-01-28
Total downloads6 ( #437,519 of 1,789,736 )
Recent downloads (6 months)1 ( #418,435 of 1,789,736 )
How can I increase my downloads?