Musical Performance: A Philosophical Study
Routledge (1998)
| Abstract | This book evaluates traditional musical performance and asks where its unique value lies. | |||||||||
| Keywords | Music Philosophy and aesthetics Music Performance | |||||||||
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| Buy the book | $36.74 new (17% off) $39.99 used (10% off) $43.95 direct from Amazon Amazon page | |||||||||
| Call number | ML3845.G6 1998 | |||||||||
| ISBN(s) | 0415191297 9780415191296 | |||||||||
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Julian Dodd (2004). Types, Continuants, and the Ontology of Music. British Journal of Aesthetics 44 (4):342-360.
Michael Talbot (ed.) (2000). The Musical Work: Reality or Invention? Liverpool University Press.
Jane O'Dea (2000). Virtue or Virtuosity?: Explorations in the Ethics of Musical Performance. Greenwood Press.
Rita Aiello & John A. Sloboda (eds.) (1994). Musical Perceptions. Oxford University Press.
Jonathan A. Neufeld (2009). Musical Formalism and Political Performances. Contemporary Aeshetics 7.
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Peter Kivy (1995). Authenticities: Philosophical Reflections on Musical Performance. Cornell University Press.
Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.
Nils-Göran Sundin (1994). Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music After 1750. University of Jyväskylä.
Stephen Davies (2001). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
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