David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 7 (3):250-260 (1967)
In the earlier sections of part one of the "critique of judgment," discussing natural beauty, Kant describes the aesthetical or beautiful in strongly formalistic terms. In the closing sections of this part, Discussing fine art, He characterizes the aesthetical or beautiful in predominantly expressionistic terms. The puzzle is not that these views are different but that our philosopher seems to think they are identical. Various hypotheses that claim to explain this puzzle are examined. The key suggested is kant's background or approach. In analysing the aesthetical, Kant is looking for evidence of a harmony between natural fact and moral aspiration, Nature and freedom. For this purpose the aesthetical as form seems best in the field of natural beauty, And the aesthetical as expression in the field of fine art
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Christopher Dowling (2011). Zangwill, Moderate Formalism, and Another Look at Kant's Aesthetic. Kantian Review 15 (2):90-117.
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