David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Oxford University Press (1999)
Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has.
|Keywords||Aesthetics Art Philosophy|
|Categories||categorize this paper)|
|Buy the book||$10.89 used (64% off) $39.99 direct from Amazon $52.00 new Amazon page|
|Call number||BH39.G675 1999|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Kevin Melchionne (2010). On the Old Saw “I Know Nothing About Art but I Know What I Like". Journal of Aesthetics and Art Criticism 68 (2):131-141.
Martin Lefebvre (2007). Peirce's Esthetics: A Taste for Signs in Art. Transactions of the Charles S. Peirce Society 43 (2):319-344.
C. E. Emmer (1998). Kitsch Against Modernity. Art Criticism 13 (1):53-80.
James O. Young (2001). Art and Knowledge. Routledge.
Kathleen Kadon Desmond (2011). Ideas About Art. Wiley-Blackwell.
Jerrold Levinson (ed.) (1998). Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press.
Maarten Doorman (2003). Art in Progress: A Philosophical Response to the End of the Avant-Garde. Amsterdam University Press.
Added to index2009-01-28
Total downloads17 ( #209,309 of 1,793,080 )
Recent downloads (6 months)2 ( #344,508 of 1,793,080 )
How can I increase my downloads?