David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Educational Philosophy and Theory 43 (4):336-350 (2011)
Creativity: what might this mean for art and art educators in the creative economies of globalisation? The task of this discussion is to look at the state of creativity and its role in education, in particular art education, and to seek some understanding of the register of creativity, how it is shaped, and how legitimated in the globalised world dominated by input-output, means-end, economically driven thinking, expectations and demands. With the help of Heidegger some crucial questions are raised, such as: How can art maintain its creative ontological and epistemological potential in the creative economies of globalisation? Is it possible for art and the creative arts to act as a process of ‘revealing’ and ‘becoming’ and ‘throwing light’ on the world while working within the market economies of innovation and entrepreneurship where creativity has become a generalised discourse? What matters in this discussion is to find a way to argue for the sustainability of art education as a creative mode of enquiry through which self and the world may be better understood, identity might be realised as difference and being-in-time might be possible
|Keywords||creativity education art global economy knowledge Heidegger|
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References found in this work BETA
Jean-Francois Lyotard (1984). Postmodern Condition: A Report on Knowledge. Univ of Minnesota Press.
J. F. Lyotard (1985). The Post-Modern Condition: A Report on Knowledge. Australasian Journal of Philosophy 63:520.
Gaston Bachelard (1994). The Poetics of Space. Beacon Press.
Charles B. Guignon (ed.) (2006). The Cambridge Companion to Heidegger. Cambridge University Press.
Citations of this work BETA
Lyndall Adams, Christopher Kueh, Renee Newman-Storen & John Ryan (2015). This is Not an Article: A Reflection on Creative Research Dialogues. Educational Philosophy and Theory 47 (12):1330-1347.
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