Aesthetic strategies in sonification
AI and Society 27 (2):213-222 (2012)
| Abstract | Sound can be listened to in various ways and with different intentions. Multiple factors influence how and what we perceive when listening to sound. Sonification, the acoustic representation of data, is in essence just sound. It functions as sonification only if we make sure to listen attentively in order to access the abstract information it contains. This is difficult to accomplish since sound always calls the listener’s attention to concrete—whether natural or musical—points of references. Important aspects determining how we listen to sonification are discussed in this paper: elicited sounds, repeated sounds, conceptual sounds, technologically mediated sounds, melodic sounds, familiar sounds, multimodal sounds and vocal sounds. We discuss how these aspects help the listener engage with the sound, but also how they can become points of reference in and of themselves. The various sonic qualities employed in sonification can potentially open but also risk closing doors to the accessibility and perceptibility of the sonified data | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,875 |
| External links |
|
| Through your library | Configure |
Stephen Barrass (2012). The Aesthetic Turn in Sonification Towards a Social and Cultural Medium. AI and Society 27 (2):177-181.
Casey O'Callaghan (2009). Sounds and Events. In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays.
Jason Leddington (2013). What We Hear. In Richard Brown (ed.), Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Springer Studies in Brain and Mind.
Casey O'Callaghan (2011). Hearing Properties, Effects or Parts? Proceedings of the Aristotelian Society 111 (3pt3):375-405.
Scot Gresham-Lancaster (2012). Relationships of Sonification to Music and Sound Art. AI and Society 27 (2):207-212.
Matthew Nudds (2010). What Are Auditory Objects? Review of Philosophy and Psychology 1 (1):105-122.
Lorella Abenavoli (2012). The Pulse of the Earth and Sonification. AI and Society 27 (2):277-279.
Peter Gena (2012). Apropos Sonification: A Broad View of Data as Music and Sound. AI and Society 27 (2):197-205.
Elsa M. Lankford (2009). Urban Soundscapes as Indicators of Urban Health. Environment, Space, Place 1 (2):27-50.
Matthew Nudds (2001). Experiencing the Production of Sounds. European Journal of Philosophy 9 (2):210-229.
John Kulvicki (2008). The Nature of Noise. Philosophers' Imprint 8 (11):1-16.
Joanna Demers (2010). Listening Through the Noise: The Aesthetics of Experimental Electronic Music. OUP USA.
Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
Casey O'Callaghan (2007). Echoes. The Monist 90 (3):403-414.
Peter Sinclair (2012). Sonification: What Where How Why Artistic Practice Relating Sonification to Environments. AI and Society 27 (2):173-175.
Monthly downloads |
Added to index2011-08-30Total downloads9 ( #115,463 of 556,837 )Recent downloads (6 months)1 ( #64,847 of 556,837 )How can I increase my downloads? |

