Holbein, torrigiano and some portraits of Dean colet: A study of holbein's work in relation to sculpture
Journal of the Warburg and Courtauld Institutes 13 (3/4):202-236 (1950)
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William Dean (1983). Sculpture and Enlivened Space. Process Studies 13 (1):113-116.
R. Ashton (1997). Notice. Royal Portraits in Sculpture and Coins: Pyrrhos and the Successors of Alexander the Great. BR Brown. The Classical Review 47 (1):226-226.
Kristin Lohse Belkin (1989). Rubens's Latin Inscriptions on His Copies After Holbein's Dance of Death. Journal of the Warburg and Courtauld Institutes 52:245-250.
Julia Kristeva (2010). Giotto's Joy : Holbein's Dead Christ. In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
Elly Dekker & Kristen Lippincott (1999). The Scientific Instruments in Holbein's Ambassadors: A Re-Examination. Journal of the Warburg and Courtauld Institutes 62:93-125.
Campbell Dodgson (1940). An Illustration by Holbein of the Legend of Herkinbald. Journal of the Warburg and Courtauld Institutes 3 (3/4):241-243.
John Lechte (1990). Kristeva and Holbein, Artist of Melancholy. British Journal of Aesthetics 30 (4):342-350.
George Clutton (1937). An Emblem by Holbein for Erasmus and More. Journal of the Warburg Institute 1 (1):63-66.
Athena Colman (2004). Holbein's Work of Art in Kristeva's Political Thought. Southern Journal of Philosophy 42 (S1):88-95.
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