David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Technical Report (2006)
The human urge to represent the three-dimensional world using two-dimensional pictorial representations dates back at least to Paleolithic times. Artists from ancient to modern times have struggled to understand how a few contours or color patches on a flat surface can induce mental representations of a three-dimensional scene. This article summarizes some of the recent breakthroughs in scientifically understanding how the brain sees that shed light on these struggles. These breakthroughs illustrate how various artists have intuitively understand paradoxical properties about how the brain sees, and have used that understanding to create great art. These paradoxical properties arise from how the brain forms the units of conscious visual perception; namely, representations of threedimensional boundaries and surfaces. Boundaries and surfaces are computed in parallel cortical processing streams that obey computationally complementary properties. These streams interact at multiple levels to overcome their complementary weaknesses and to transform their complementary properties into consistent percepts. The article describes how properties of complementary consistency have guided the creation of many great works of art.
|Keywords||Complementary computing visual cortex perceptual grouping surface filling-in figure-ground perception, amodal boundaries perspective T-junctions opponent colors neon color spreading|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Laurence T. Maloney (2003). Surface Color Perception in Constrained Environments. Behavioral and Brain Sciences 26 (1):38-39.
David M. Rosenthal (2001). Color, Mental Location, and the Visual Field. Consciousness and Cognition 10 (1):85-93.
Brian P. McLaughlin (2000). Colors and Color Spaces. In The Proceedings of the Twentieth World Congress of Philosophy. Charlottesville: Philosophy Documentation Center 83-89.
Kaoru Noguchi (2003). The Relationship Between Visual Illusion and Aesthetic Preference – an Attempt to Unify Experimental Phenomenology and Empirical Aesthetics. Axiomathes 13 (3-4):261-281.
Tony Vladusich (2001). Perceptual Filling-in and the Resonant Binding of Distributed Cortical Representations. Behavioral and Brain Sciences 24 (6):1136-1137.
Antti Revonsuo (2001). Putting Color Back Where It Belongs. Consciousness and Cognition 10 (1):78-84.
Jennifer Matey (2012). Representing the Impossible. Philosophical Psychology 26 (2):188 - 206.
Stephen Grossberg (1998). Filling-in the Forms. Behavioral and Brain Sciences 21 (6):758-759.
Added to index2009-08-21
Total downloads51 ( #80,955 of 1,793,270 )
Recent downloads (6 months)7 ( #118,939 of 1,793,270 )
How can I increase my downloads?