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- Ignacio L. Götz (2002). Faith, Humor, and Paradox. Praeger.Machine generated contents note: Introduction 1 --1. The Nature of Paradox 11 --2. Faith and Paradox 23 --3. Faith and Paradox: Cases 33 --4. Faith, Hope, and Unbelief 49 --5. Faith, Dogma, and Fanaticism 61 --6. The Structure of Humor 81 --7. On Frivolity 93 --8. Humor and Faith 103 --Conclusion 115.
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The concept of faith is central in the philosophy of religion, and the concept of virtue is central in ethics. Both can be clarified by exploring their relationshipswith each other and their connection with conduct, reasons for action, and the good. One important question is whether faith is a virtue. Answering this requires at least a partial account of what constitutes faith and of what makes a characteristic a virtue. The answer also depends on whether we are speaking of religious faith or of faith in general, and on what “content” the faith in question has. This paper approaches the question by contrasting faith with faithfulness, connecting both with trust, and exploring conditions under which each may count as a virtue.
The scandal to philosophy and human reason, wrote Kant, is that we must take the existence of material objects on mere faith . In contrast, the skeptical paradox that has scandalized recent philosophy is not formulated in terms of faith, but rather in terms of justification, warrant, and entitlement. I argue that most contemporary approaches to the paradox (both dogmatist/liberal and default/conservative) do not address the traditional problem that scandalized Kant, and that the status of having a warrant (or justification) that is derived from entitlement is irrelevant to whether we take our beliefs on mere faith. For, one can have the sort of warrant that most contemporary anti-skeptics posit while still taking one’s belief on mere faith. An alternative approach to the traditional problem is sketched, one that still makes use of contemporary insights about “entitlement.”.
The essay is about the “Preliminary Expectoration” of Kierkegaard’s Fear and Trembling. It argues that “the absurd” there refers primarily to the practical paradox that in faith (so it is claimed) one must simultaneously renounce and gladly accept a loved object. In other words it is about a problem of detachment as a feature of religious life. The paper goes on to interpret, and discuss critically, the views expressed in the book about both renunciation (infinite resignation) and the nature of faith.
The authors are working with a limited notion of religion. They have confined themselves to a view of it as superstition, “counterintuitive,” as they put it. What they have not seen is that faith does in a real sense involve a paradox in that it projects an impossibility as a methodological device, a fictive ploy, which in the best interpretation necessarily involves a commitment to the likelihood of self-sacrifice.
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Ultimism and the aims of human immaturity -- Faith without details, or how to practice skeptical religion -- Simple faith and the complexities of tradition -- The structure of faith justification -- How skeptical faith is true to reason -- Anselm's idea -- Leibniz's ambition -- Paley's wonder -- Pascal's wager -- Kant's postulate -- James's will -- Faith is positively justified : the many modes of religious vision.
Many people view humor and a serious religious life as antithetical. This paper attempts to elucidate Kierkegaard’s view of humor, and thereby to explain his claims that humor is essentially linked to a religious life, and that the capacity for humor resides in a deep structure of human existence. A distinction is drawn between humor as a general element in life, and a special sense of humor as a “boundary zone” of the religious life. The latter kind of “humorist” embodies a religious perspective which is not Christian, but is closely related to Christianity. Humor itself is a fundamental aspect of Christian faith.
I argue here that Kierkegaardian faith is essentially, albeit paradoxically, worldly---that Kierkegaardian faith is a form of world-affirmation. A correlate of this claim is that faithlessness of any kind is ultimately a form of aesthetic resignation grounded in a deep seated world-alienation. The paradox of faith’s worldliness is found in the fact that, for Kierkegaard, faith both excludes and includes resignation in itself. I make sense of this paradox by appealing to Kierkegaard’s idea of “an annulled possibility,” and conclude that faith’s love of the world is an affirmation via a double negation.
Initial sketch of a concept of faith -- Facets of faith -- Faith and knowledge -- Faith and scientific knowledge -- Faith and morality -- Secular forms of faith -- Crises of faith -- My personal journey of faith.
Discussion of Ignacio L. Götz, Faith, Humor, and Paradox
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