Abstract

This essay traces the development and the nature of two ideas that have played an important role in Buddhist thought and Buddhist experience. The one, called mandala , is fairly well known in Western literature, particularly because of its intricate and aesthetically moving patterning. It describes the experiencer's anthropocosmic universe. AI; such it is governed by the two major forms of geometry, plane and projective, with circles, squares, and triangles entering various combinations. Broadly speaking, a mandala presents a static worldview. By contrast, what is called dkyil·'khor , is hardly ever mentioned in Western literature. It is a thoroughly dynamic concept that describes the anthropocosmic whole's self·organization in ever· changing and evolving patterns, ebbing and flowing, but always in some sense being the whole. In other words, a mandala emphasizes structure, a dkyil·'khor emphasizes process. The accompanying illustrations show select phases in the construction of a mandala