David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Journal of Aesthetic Education 44 (4):60-80 (2010)
And in general it is a sign of the man who knows and of the man who does not know that the former can teach, and therefore we think art more truly knowledge than experience is; for the artist can teach, and men of experience cannot. When pragmatism first gained favor in the early twentieth century, some British philosophers like Russell regarded it as evidencing their perception of America’s crude and enterprising spirit.1 The Imperial jab lay in this: that just as business indicates the exchange of products and services to meet basic needs as well as others, for the pragmatist, knowledge is tied to social practices and instrumentality (that is, being able to effect changes in the world). The slight lies ..
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
James O. Young (2001). Art and Knowledge. Routledge.
John Ryder (2013). The Things in Heaven and Earth: An Essay in Pragmatic Naturalism. Fordham University Press.
Keith Lehrer (2012). Art, Self, and Knowledge. Oxford University Press.
Elizabeth M. Grierson (2010). Scrutinizing Studio Art and its Study: Historical Relations and Contemporary Conditions. Journal of Aesthetic Education 44 (2):pp. 111-123.
Patrick Hutchings (2012). 'The Origin of the Work of Art': Heidegger. Sophia 51 (4):465-478.
Ioanna Kuçuradi (2012). Rethinking Philosophy for the Resurrection of the Object of Knowledge. Journal of Philosophical Research 37 (Supplement):375-387.
Margaret Hubbard (1970). The Poetics D. W. Lucas: Aristotle, Poetics. Introduction, Commentary, and Appendixes. Pp. Xxviii+313. Oxford: Clarendon Press, 1968. Cloth, 50s. Net. Leon Golden and O. B. Hardison: Aristotle, Poetics. A Translation and Commentary for Students of Literature. Pp. Xi+307. Hemel Hempstead: Prentice-Hall, Inc., 1968. Stiff Paper, 26s. L. J. Potts: Aristotle on the Art of Fiction. An English Translation of the Poetics with an Introductory Essay and Explanatory Notes. Pp. 94. Cambridge: University Press, 1968. Stiff Paper, 7s. [REVIEW] The Classical Review 20 (2):176-181.
Stephen David Ross (2009). World as Art. International Studies in Philosophy Monograph Series:107-142.
Klaas Tindemans (2008). The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France. [REVIEW] Foundations of Science 13 (3-4):325-336.
Bogdan Mincă (2004). Das Modell der Herstellung. Studia Phaenomenologica 4 (1-2):127-150.
Edward Halper (2008). Aristotle's Rethinking of Philosophy. Proceedings of the Xxii World Congress of Philosophy 2:107-114.
Aristotle, Aristotle's Theory of Poetry and Fine Art with a Critical Text and Translation of the Poetics.
Added to index2010-11-04
Total downloads28 ( #66,572 of 1,102,122 )
Recent downloads (6 months)5 ( #68,222 of 1,102,122 )
How can I increase my downloads?