David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Studies in History and Philosophy of Science Part A 39 (4):483-494 (2008)
Contrary to both his own intentions and the views of both older and more recent commentators. I argue that Kant's aesthetics remains within the confines of eighteenth-century aesthetics as a branch of empirical psychology, as it was then practiced. Kant established a plausible connection between aesthetic experience and judgment on the one hand and cognition in general on the other, through his explanatory concept of the free play of our cognitive powers. However, there is nothing distinctly 'a priori' or 'transcendental' in his claim that this state of mind is what causes our pleasure in beauty or other aesthetic properties. Nor did Kant establish a genuinely a priori or transcendental principle that all human beings have the same disposition to experience a free play of their cognitive powers, let alone in response to the same objects. This failure, however, in no way limits the continuing significance of Kant's aesthetic theory.
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References found in this work BETA
David Hume (1739/2000). A Treatise of Human Nature. Oxford University Press.
Immanuel Kant (1996). Practical Philosophy. Cambridge University Press.
Immanuel Kant (2000). Critique of the Power of Judgment. Cambridge University Press.
Donald Davidson (1973). Radical Interpretation. Dialectica 27 (1):314-328.
I. Kant (1787/1998). Critique of Pure Reason. Philosophy 59 (230):555-557.
Citations of this work BETA
Alessia Pannese (2012). A Gray Matter of Taste: Sound Perception, Music Cognition, and Baumgarten's Aesthetics. Studies in History and Philosophy of Science Part C 43 (3):594-601.
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