Understanding Plays
In Saltz Krasner (ed.), Staging Philosophy (2006)
| Abstract | Hamilton argues that there is a level of understanding of theatrical performances, and narrative performances in particular (called "plays"), that does not require grasp of the large-scale aesthetic features that usually inform the structure of what is presented. This "basic understanding" is required for any spectator to go on to have a deeper understanding and, so, grounds any spectator's understanding of the larger-scale features of a performance. | |||||||||
| Keywords | theatrical performance understanding concatentationism | |||||||||
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James R. Hamilton (2009). Pretense and Display Theories of Theatrical Performance. Organon F:632-654.
Bence Nanay (2012). Musical Twofoldness. The Monist 95 (2):607-624.
James R. Hamilton (2007). The Art of Theater. Wiley-Blackwell.
James R. Hamilton (2009). Drama. In Higgins Davies (ed.), Blackwell Companion to Aesthetics.
Noël Carroll (2009). Basic Theatrical Understanding: Considerations for James Hamilton. Journal of Aesthetic Education 43 (3):pp. 15-22.
John Dilworth (2003). A Counter-Example to Theatrical Type Theories. Philosophia 31 (1-2):165-170.
David Krasner & David Z. Saltz (eds.) (2006). Staging Philosophy: Intersections of Theater, Performance, and Philosophy. University of Michigan Press.
Ayca Boylu (2010). How Understanding Makes Knowledge Valuable. Canadian Journal of Philosophy 40 (4):591-609.
Peter Kosso (2002). The Omniscienter: Beauty and Scientific Understanding. International Studies in the Philosophy of Science 16 (1):39 – 48.
Brendan Balcerak Jackson (2009). Understanding and Semantic Structure: Reply to Timothy Williamson. Proceedings of the Aristotelian Society 109:337-343.
Jaakko Kuorikoski (2011). Simulation and the Sense of Understanding. In Paul Humphreys & Cyrille Imbert (eds.), Models, Simulations, and Representations. Routledge.
Kareem Khalifa (2013). Is Understanding Explanatory or Objectual? Synthese 190 (6):1153-1171.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
James R. Hamilton (2001). Theatrical Performance and Interpretation. Journal of Aesthetics and Art Criticism 59 (3):307–312.
David Davies (2009). Rehearsal and Hamilton's “Ingredients Model” of Theatrical Performance. Journal of Aesthetic Education 43 (3):pp. 23-36.
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