Much ado about nothing: Critical realism examined

Philosophical Studies 115 (2):123 - 147 (2003)
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Abstract

Critical realism is the view that fictional characters arecontingent, actual, abstract individuals, ontologically on a par with such things as plots and rhyme schemes, andquantified over in statements such as “A character inHamlet is a prince.” A strong contender for thecorrect account of fictional characters, critical realismnevertheless has difficulty satisfying all that we intuitivelyrequire of such an account.

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Richard Hanley
University of Delaware

Citations of this work

Fictional characters.Stacie Friend - 2007 - Philosophy Compass 2 (2):141–156.
To Have and to Hold.Tatjana von Solodkoff & Richard Woodward - 2017 - Philosophical Issues 27 (1):407-427.
Grounding Fiction.Tatjana von Solodkoff - 2011 - Dissertation, University of Sheffield

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References found in this work

Fiction and Metaphysics.Amie L. Thomasson - 1998 - New York: Cambridge University Press.
The Nature of Fiction.Gregory Currie - 1990 - Cambridge University Press.
Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.
On What There Is.W. V. O. Quine - 1948 - In Robert B. Talisse & Scott F. Aikin (eds.), The Pragmatism Reader: From Peirce Through the Present. Princeton University Press. pp. 221-233.

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