Online research in philosophy

In this paper I argue that all transparent objects are colorless. This thesis is important for at least three reasons. First, if transparent objects are colorless, there is no need to distinguish between colors which characterize three-dimensional bodies, like transparent colors, and colors which lie on the surface of objects. Second, traditional objections against color physicalism relying on transparent colors are rendered moot. Finally, an improved understanding of the relations between colors, light and transparency is provided.

In this paper I attempt to defuse a set of epistemic worries commonly raised against ideal observer theories. The worries arise because of the omniscience often attributed to ideal observers -- how can we, as finite humans, ever have access to the moral judgements or reactions of omniscient beings? I argue that many of the same concerns arise with respect to other moral theories (and that these concerns do not in fact reveal genuine flaws in any of these theories), and further, that we can and often do have knowledge of the reactions of ideal observers (according to standard, prominent theories in the domain of epistemology).

The Dangerous Book for Boys Abstract: Seventeenth and eighteenth century discussions of the senses are often thought to contain a profound truth: some perceptible properties are secondary qualities, dispositions to produce certain sorts of experiences in perceivers. In particular, colors are secondary qualities: for example, an object is green iff it is disposed to look green to standard perceivers in standard conditions. After rebutting Boghossian and Velleman’s argument that a certain kind of secondary quality theory is viciously circular, we discuss three main lines of argument for the secondary quality theory. The first is inspired by an intuitively compelling picture of perception articulated by Reid; the second is that the secondary quality theory is a conceptual truth; the third line of argument is presented in Johnston’s influential paper ‘How to speak of the colors’. We conclude that all these arguments fail, and that the secondary quality theory is unmotivated. Keywords: color, secondary quality, disposition, vision, perception..

From now on I will assume that it is possible in principle for there to be cases of spectrum inversion in which the invertees are equally good perceivers of the colors. What I want to show next is that while allowing this possibility is incompatible with standard representationalism, it requires acceptance of a different version of representationalism. Consider the standard way of describing a case of spectrum inversion. Returning to Jack and Jill, we say that red things look to Jack the way green things look to Jill, blue things look to Jack the way yellow things look to Jill, and so on. Of course, we might also express this by saying that the phenomenal character of Jack’s experience of red things is like the phenomenal character of Jill’s experience of green things, and so on. Or by saying that “what it is like” for Jack to see red things is “what it is like” for Jill to see green things, and so on. But “phenomenal character” is philosophical jargon, and “what it is like” is on its way to being that. We need to be able cash these locutions in terms that we are sure we understand. And I think that the best way of doing that is in terms of how things look. Now the sense in which red things look different to Jack and Jill cannot be that they look to have different colors in the epistemic sense. We can suppose that both perceive red things as being red, and therefore that to both red things look red in the epistemic sense. Nor can it be the comparative sense – to each, we can suppose, red things look like standard red things under standard conditions. The remaining sense of “looks” is supposed to be the phenomenal sense. Now those who employ this notion typically speak of things as looking red, blue, yellow, etc., in the phenomenal sense. But if Jack and Jill are both accurate perceivers of the colors of things, it can’t be that the difference in how things look to them is a difference in what colors things look to them, even if “looks” is used in the phenomenal sense..

It is a priori on many accounts of colour concepts that something is red if and only if it is such that it would look red to normal observers in normal circumstances: it is such that it would look red, as we can say, under normal conditions of observation. And as this sort of formula is widely applied to colour concepts, so similar schemas are commonly defended in relation to a variety of other concepts too. Not only are colour concepts connected in such a fashion with human responses, so by many accounts are secondary quality concepts in general; aesthetic concepts, moral concepts and evaluative concepts of all kinds; modal concepts that serve to pick out the possible and the necessary; and so on. The fashion for resorting to such formulas should not be surprising. Most of us suppose that whether a given, ostensively introduced term has a certain semantic value – whether, for example, it designates a certain property – ought to show up in people’s tending to use it of things, and only of things, that apparently have that property. The obvious way of expressing this expectation is to require that the use of the ostensive term covary with the presence of the property in conditions that are normal in some sense for detecting that property. Thus there is prima facie reason to hold, and hold as an a priori matter, that for any ostensively introduced term, ‘P’, something is P if and only if it is such that it would seem P – people would be disposed to use ‘P’ to ascribe the corresponding property to it – under normal conditions of observation. The schemas invoked under this motivation may vary in many different ways, of course. First, they may not connect the bare or simple reality of being P with a normalised human response, as Philosophical Studies 96: 21–44, 1999. © 1999 Kluwer Academic Publishers. Printed in the Netherlands. 22..

What knowledge of the colors does perception of the colors provide? My first aim in this essay is to characterize the way in which color experience seems to provide knowledge of colors. This in turn tells us something about what it takes for there to be colors. Color experience provides knowledge of the aspect of the world that is being acted on when we, or some external force, act on the color of an object and thus make a difference to the experiences of people looking at it. It is in this sense that the nature of the colors is transparent to us. For there to be colors is for there to be the qualitative categorical properties that we encounter in perception, action on which affects the color experiences of observers. This line of thought contrasts with the idea that color experience reveals the colors to us, in the sense that it provides knowledge of a number of necessary truths about the colors. In a recent paper, Alex Byrne and David Hilbert provide a careful exposition and critique of this way of developing the idea of color experience as revelatory of the colors. In this paper my main aim is simply to contrast the idea that experience makes the colors transparent to us, with the idea that color experience provides us with knowledge of truths relating to the essences of the colors.

Building on Crane’s intentionalism, the paper proposes a variant of response-dependentist view of colors. To be of a color C is to have a disposition to cause in normal observers a response, namely, intentional phenomenal C-experience. The view is dubbed “response-intentionalism”. It follows from the following considerations, with the red of a tomato surface taken as an example of color C. Full phenomenal red is being visaged (intentionally experienced) as being on the surface of the tomato. Science tells us that full phenomenal red is not on the surface of the tomato. Equally, full phenomenal red is not a property of subjective state but its intentional object. Response-intentionalism follows by considerations of charity, i.e. minimizing and rationalizing the error of the cognizer, and of inference to the best explanation: being red in scientific sense is being such as to cause the response (intentionally) visaging phenomenal red in normal observers under normal circumstances.

Although they may differ on the reason why, many philosophers hold that it is a priori that an object is red if and only if it is such as to look red to normal observers in normal conditions.

Color relationalism is the view that colors are constituted in terms of relations between subjects and objects. The most historically important form of color relationalism is the classic dispositionalist view according to which, for example red is the disposition to look red to standard observers in standard conditions (mutatis mutandis for other colors).1 However, it has become increasingly apparent in recent years that a commitment to the relationality of colors bears interest that goes beyond dispositionalism (Cohen, 2004; Matthen, 1999, 2001, 2005; Thompson, 1995). Accordingly, it is an important project for those interested in the metaphysics of color to sort through and assess different forms of color relationalism. There is, however, a powerful and general cluster of objections that has been thought by many to amount to a decisive refutation of any and all forms of color relationalism. Although this idea has been developed in a number of ways, the basic thought is that relationalism — qua theory of color — is at odds with the manifest evidence of color phenomenology, and that this clash between theory and data should be resolved by giving up the theory.

It can happen that a single surface S, viewed in normal conditions, looks pure blue (“true blue”) to observer John but looks blue tinged with green to a second observer, Jane, even though both are normal in the sense that they pass the standard psychophysical tests for color vision. Tye (2006a) finds this situation prima facie puzzling, and then offers two different “solutions” to the puzzle.1 The first is that at least one observer misrepresents S’s color because, though normal in the sense explained, she is not a Normal color observer: her color detection system is not operating in the current condition in the way that Mother Nature intended it to operate. His second solution involves the idea that Mother Nature designed our color detection systems to be reliable with respect to the detection of coarse-grained colors (e.g., blue, green, yellow, orange), but our capacity to represent the fine-grained colors (e.g., true blue, blue tinged with green) is an undesigned spandrel. On this second solution, it is consistent with the variation between John and Jane that both represent the color of S in a way that complies with Mother Nature’s intentions: both represent S as exemplifying the coarse-grained color blue, and since (we may assume) S is in fact blue, both represent it veridically. Of course, they also represent fine-grained colors of S, and, according to Tye, at most one of these representations is veridical (Tye says that only God knows which). But at the level of representation for which Mother Nature designed our color detection systems, both John and Jane (qua Normal observers) are reliable detectors.