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Several difficulties, concerning the individuation and the variation of tropes, beset the initial classic version of trope theory. K. Campbell (Abstract particulars, Oxford, Basil Blackwell, 1990) presented a modified version that aims to avoid those difficulties. Unfortunately, the revised theory cannot make the case that one of the fundamental tropes, space-time, is a genuine particular.
The treatise attempts to approach and deal with some of the most fundamental problems facing anyone who wishes to uphold some version of the so-called theory of tropes. Three assumptions serve as a basis for the investigation: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kinds of entities), and (iii) a one-category trope-theory along these lines should be developed so that the tropes it postulates are able to serve as truth-makers for all kinds of atomic propositions. Provided that these assumptions are accepted, it is found that the trope-theorist will have to deal with two important problems. First, some atomic propositions seem to require universal truth-makers. Second, some atomic propositions seem to require concrete truth-makers. As tropes are abstract particulars, it follows that the trope-theorist, in order to fulfil assumption (iii), must provide an account of exactly how he or she could construct universality and concreteness from his or her basic stock of tropes. In the treatise such constructions are attempted and some basic problems with such constructions are revealed (mainly problems having to do with the threat of regress). Although these problems are serious enough it is argued that it is nevertheless possible to deal with these basic issues while staying squarely within the boundaries of a one-category trope-ontology.
The notion that there is a single type of entity in terms of which the whole world can be described has fallen out of favor in recent Ontology. There are only two serious exceptions to this. Factualists (Skyrms 1981, Armstrong 1997) hold that the world can be fully described in terms of facts. Trope theorists (Williams 1953, Campbell 1981, 1990) hold that it can be fully described in terms of tropes. Yet the relationship between facts and tropes remains obscure in both camps’ writings. In this note, a distinction between (the names of) events and facts, due to Vendler and Bennett, is extended to distinguish between (the names of) tropes and facts. On its basis, a portrait of the domain of abstract particulars is sketched. The purpose is to contribute to our understanding of both forms of (if you will) metaphysical monism by offering a principled distinction between them.
In the paper it is argued that there are two intuitions underlying the concept of trope. According to the first, a trope is a particularised property - a property taken as an individual aspect of a particular object. In the light of this conception tropes are, as it were, direct abstractions from concrete individuals. On the second view, tropes are construed not so much as abstractions from concrete individuals, but rather as primitive items of which the concrete individuals are composed. Tropes so construed are, as it were, metaphysically prior to concrete individuals. We can imagine that the cognitive access to these tropes is obtained by a kind of a double abstraction. The trope in question is not only abstracted from the concrete individual of which it is a trope but also taken in abstraction from the very fact that it has been abstracted this way. Only the second conception is really metaphysically interesting, while only on the first conception can tropes function as semantically efficient truthmakers.
In this paper I first try to clarify the essential features of tropes and then I use the resulting analysis to cope with the problem of mental causation. As to the first step, I argue that tropes, beside being essentially particular and abstract, are simple, where such a simplicity can be considered either from a phenomenal point of view or from a structural point of view. Once this feature is spelled out, the role tropes may play in solving the problem of mental causation is evaluated. It is argued that no solution based on the determinable/determinate relation is viable without begging the question as regards the individuating conditions of the related properties. Next, it is shown that Robb’s solution, much in the spirit of Davidson’s anomalous monism, entails abandoning the assumption that tropes are essentially simple, a consequence that I find not acceptable. My conclusion is that these entities are of no help in solving the problem of mental causation, and that a universalist approach should be preferred.
Universals are usually considered to be universal properties. Since tropes are particular properties, if there are only tropes, there are no universals. However, universals might be thought of not only as common properties, but also as common aspects (“determinable universals”) and common wholes (“concrete universals”). The existence of these two latter concepts of universals is fully compatible with the assumption that all properties are particular. This observation makes possible three different trope theories, which accept tropes and no universals, tropes and determinable universals and tropes and concrete universals.
Philosophers who accept tropes generally agree that tropes do play a role in the semantics of natural language, namely as the objects of reference of nominalizations of adjectives, such as 'Socrates’ wisdom' or 'the beauty of the landscape'. In fact, a philosophical discussion of the ontology of tropes can hardly do without the use of such nominalizations. In this paper, I will argue that tropes play a further important role in the semantics of natural language, namely in the semantics of bare demonstratives like 'this' and 'that' in what in linguistics is called identificational sentences.
A tropel is a particular property: the redness of a rose, the roundness of the moon. It is generally supposed that tropes are individuated by primitive quantity: this redness, that roundness. I argme that the trope theorist is far better served by individuating tropes by spatiotemporal relation: here redness, there roundness. In short, tropes are not this-suches but here-suches.
Discussion of Peter Alward, Mopes, dopes, and tropes
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