David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Midwest Studies in Philosophy 34 (1):280-294 (2010)
Some films scare us; some make us cry; some thrill us. Some of the most interesting films, however, leave us suspended between feelings – both joyous and sad, or angry and serene. This paper attempts to explain how this can happen and why it is important. I look closely at one film that creates and exploits these conflicted responses. I argue that cases of conflict in film illuminate a pair of vexing questions about emotion in film: (1) To what extent are emotional responses rational, or in need of rationalization?; and (2) What relationship is there between emotional response and value (moral, filmic, or otherwise)? Conflict, I argue, can be revealing, and can help us better understand emotional responses to narrative film1 in general. The paper is divided into four sections. First, I sketch a theory of emotional engagement that makes sense of the notion of a “conflicted emotional response” to a film. Second, I turn to a particular case of a film that produces this sort of conflict, Fritz Lang’s M (1931), and show that the conflict engendered by that film is both more significant and less unusual than it may appear. In the final two sections, I argue that there is no need to rationalize or make consistent such mixed emotional responses, and that there is real moral, aesthetic, and cognitive value to be had from such conflict.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Allan Hazlett (2009). How to Defend Response Moralism. British Journal of Aesthetics 49 (3):241-255.
Torben Grodal (1999). Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Clarendon Press.
Alison Niemi (2003). Film as Religious Experience: Myths and Models in Mass Entertainment. Critical Review 15 (3-4):435-446.
Tim Bloser (2011). Emotional Feelings. Philosophical Papers 40 (2):179 - 205.
Robert Hopkins (2010). Moving Because Pictures? Illusion and the Emotional Power of Film. Midwest Studies in Philosophy 34 (1):200-218.
David Carr (2002). Feelings in Moral Conflict and the Hazards of Emotional Intelligence. Ethical Theory and Moral Practice 5 (1):3-21.
Jinhee Choi (2003). All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics 43 (3):308-321.
Michael Lacewing (2005). Emotional Self-Awareness and Ethical Deliberation. Ratio 18 (1):65-81.
Added to index2010-04-22
Total downloads48 ( #33,939 of 1,101,122 )
Recent downloads (6 months)3 ( #115,950 of 1,101,122 )
How can I increase my downloads?