Onstage Illocution

Journal of Aesthetics and Art Criticism 67 (3):321 - 331 (2009)
performances. But comparatively little work has been by way of elucidating such speech acts,[1] and without an adequate account of them, such comparisons will ultimately prove to be empty. In this paper, I will defend an illocutionary pretense view, according to which actors pretend to perform various kinds of illocutionary acts rather than genuinely performing them. This is, of course, a fairly intuitive position to take. What I want to argue, however, is that this is the route one must take: there are simply no tenable alternatives
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DOI 10.2307/25622081
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