Truth and the 'work' of literary fiction
British Journal of Aesthetics 50 (1):93-97 (2010)
| Abstract | As Lamarque agrees, to read philosophy is to read for truth, so if literary fiction non-accidentally conveys philosophical claims, Lamarque's anti-cognitivist position on it must be flawed. Deploying Iris Murdoch's notion of the ‘work’ an author does in a text, I try to expand what should be understood by an argument in this context, and thus address Lamarque's argument that literary fiction cannot non-accidentally convey philosophical claims because it typically contains no arguments. The main literary example is George Eliot's Felix Holt ; special reference is made to the idea of an author's complicity with the reader | |||||||||
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Stein Haugom Olsen (1987). The End of Literary Theory. Cambridge University Press.
Stavroula Glezakos (forthcoming). Truth and Reference in Fiction. In Gillian Russell & Delia Graff Fara (eds.), Routledge Companion to the Philosophy of Language. Routledge.
Jukka Mikkonen (2009). Intentions and Interpretations: Philosophical Fiction as Conversation. Contemporary Aesthetics 7.
Jukka Mikkonen (2010). Sutrop on Literary Fiction-Making: Defending Currie. Disputatio (28):151-157.
Peter Lamarque (1983). Fiction and Reality. In Peter Lamarque (ed.), Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen University Press.
Jukka Mikkonen (2010). Contemplation and Hypotheses in Literature. Philosophical Frontiers 5 (1):73-83.
Jukka Mikkonen (2010). On the Body of Literary Persuasion. Estetika 47 (1):51-71.
Jukka Mikkonen (2009). Assertions in Literary Fiction. Minerva 13:144-180.
Jukka Mikkonen (2009). Truth-Claiming in Fiction: Towards a Poetics of Literary Assertion. Nordic Journal of Aesthetics 38 (18):34.
Jukka Mikkonen (2008). Philosophical Fiction and the Act of Fiction-Making. SATS 9 (2):116-132.
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