Off-campus access
Using PhilPapers from home?
Click here to configure this browser for off-campus access.
- Valerie Gray Hardcastle (1998). The Puzzle of Attention, the Importance of Metaphors. Philosophical Psychology 11 (3):331-351.I have two goals in this paper. First, I want to show by example that inferences about theoretical entities are relatively contingent affairs. Previously accepted conceptual metaphors in science set both the general form of new theories and our acceptance of the theories as plausible. In addition, they determine how we define the relevant parameters in investigating phenomena in the first place. These items then determine how we conceptualize things in the world. Second, and maybe more importantly, I want to solve a puzzle that falls out of our current explication of attention, namely why we have it. Given the now widely accepted view that our brains are massively parallel, it is difficult to see why we should have evolved attentional mechanisms at all. Why gate when we can already process what we transduce in parallel? Here I answer that puzzle and suggest a perspective on attention that makes it a bit easier to understand, although this perspective also entails that we have to revise how we individuate experimental protocols and relevant data.
Similar books and articles
I present a puzzle for absolutely unrestricted quantification. One important advantage of absolutely unrestricted quantification is that it allows us to entertain perfectly general theories. Whereas most of our theories restrict attention to one or another parcel of reality, other theories are genuinely comprehensive taking absolutely all objects into their domain. The puzzle arises when we notice that absolutely unrestricted theories sometimes impose incompatible constraints on the size of the universe.
Reflection on the fine-grained information required for visual guidance of action has suggested that visual content is non-conceptual. I argue that in a common type of visually guided action, namely the use of manipulable artefacts, vision has conceptual content. Specifically, I show that these actions require visual attention and that concepts are involved in directing attention. In acting with artefacts, there is a way of doing it right as determined by the artefact’s conventional use. Attention must reflect our understanding of the function and appropriate ways to use these artefacts, understanding that requires possession of the relevant concept. As a result, we attend to the artefact’s relevant functional properties. In these cases, attention is structured by concepts. This discussion has a bearing on the dual visual stream hypothesis. While it is often held that the two visual streams are functionally independent, the argument of this essay is that the constraints on attention suggest a functional interaction between them.
In this paper, I will argue that Radfords real question is not the conceptual one, as it is usually taken, but the causal one, and show that Waltons account, which treats Radfords puzzle as the conceptual question, is not a satisfactory solution to it. I will also argue that contrary to what Walton claims, the causal question is not only important, but also closely related to the conceptual and normative questions. What matters is not that Walton has not solved Radfords puzzle per se, but that he has not recognized the importance of this puzzle. While doing this, I will suggest a revision to the cognitive theory of emotion.
No categories
We present the simplest solution ever to 'the hardest logic puzzle ever'. We then modify the puzzle to make it even harder and give a simple solution to the modified puzzle. The final sections investigate exploding god-heads and a two-question solution to the original puzzle.
Because the visual system cannot process all of the objects, colors, and features present in a visual scene, visual attention allows some visual stimuli to be selected and processed over others. Most research on visual attention has focused on spatial or location-based attention, in which the locations occupied by stimuli are selected for further processing. Recent research, however, has demonstrated the importance of objects in organizing (or segregating) visual scenes and guiding attentional selection. Because of the long history of spatial attention research, theories of spatial attention are more mature than theories of other visual processes, such as object segregation and object attention. In the present paper, I outline a biased competition account of object segregation and attention, following similar accounts that have been developed for spatial attention (Desimone and Duncan, 1995). In my biased competition account, I seek to understand how some objects can be segregated and selected over other objects in a complex visual scene. Under this account, there are two sources of visual information that allow an object to be processed over other objects: bottom-up information carried by the physical stimulus and top-down information based on an observer's goals. I use the biased competition account to combine many diverse findings from the object segregation and attention literatures into a common framework.
This chapter presents an overview of several recent developments in vision science, and outlines some of their implications for the management of visual attention in graphic displays. These include ways of sending attention to the right item at the right time, techniques to improve attentional efficiency, and possibilities for offloading some of the processing typically done by attention onto nonattentional mechanisms. In addition it is argued that such techniques not only allow more effective use to be made of visual attention, but also open up new possibilities for human-machine interaction.
Rabern and Rabern (2008) have noted the need to modify `the hardest logic puzzle ever’ as presented in Boolos 1996 in order to avoid trivialization. Their paper ends with a two-question solution to the original puzzle, which does not carry over to the amended puzzle. The purpose of this note is to offer a two-question solution to the latter puzzle, which is, after all, the one with a claim to being the hardest logic puzzle ever.
There is a puzzle regarding the semantics of quantification that is well-known among linguists and formal semanticists, but which has received relatively little attention from philosophers. The puzzle emerges most naturally if our semantic theory is categorical, satisfying two mutually supporting requirements.
Scientific concepts are defined by metaphors. These metaphors determine what atten- tion is and what count as adequate explanations of the phenomenon. The authors analyze these metaphors within 3 types of attention theories: (a) --cause-- theories, in which attention is presumed to modulate information processing (e.g., attention as a spotlight; attention as a limited resource); (b) --effect-- theories, in which attention is considered to be a by-product of information processing (e.g., the competition meta- phor); and (c) hybrid theories that combine cause and effect aspects (e.g., biased- competition models). The present analysis reveals the crucial role of metaphors in cognitive psychology, neuroscience, and the efforts of scientists to find a resolution to the classic problem of cause versus effect interpretations.
Scientific concepts are defined by metaphors. These metaphors determine what attention is and what count as adequate explanations of the phenomenon. The authors analyze these metaphors within 3 types of attention theories: (a) “cause” theories, in which attention is presumed to modulate information processing (e.g., attention as a spotlight; attention as a limited resource); (b) “effect” theories, in which attention is considered to be a by-product of information processing (e.g., the competition metaphor); and (c) hybrid theories that combine cause and effect aspects (e.g., biasedcompetition models). The present analysis reveals the crucial role of metaphors in cognitive psychology, neuroscience, and the efforts of scientists to find a resolution to the classic problem of cause versus effect interpretations.
No categories
Discussion of Valerie Gray Hardcastle, The puzzle of attention, the importance of metaphors
|
|
There are no threads in this forum |
Nothing in this forum yet.

