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The Speaking Abject in Kristeva's Powers of Horror
Hypatia 13 (1):138-157 (1998)
Abstract
This essay analyzes the implications of the performative aspects of Julia Kristeva's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva's notion of practice and as such are fundamental to her critique of Hegel and Freud.My notes
Similar books and articles
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Citations of this work
“Nothing Short of a Horror Show”: Triggering Abjection of Street Workers in Western Canadian Newspapers.Caitlin Janzen, Susan Strega, Leslie Brown, Jeannie Morgan & Jeannine Carrière - 2013 - Hypatia 28 (1):142-162.
Poietical Subjects in Heidegger, Kristeva, and Aristotle.Melissa Shew - 2010 - Comparative and Continental Philosophy 2 (1):63-80.
References found in this work
Gender Trouble: Feminism and the Subversion of Identity.Judith Butler & Suzanne Pharr - 1990 - Hypatia 5 (3):171-175.
Phenomenology of Spirit.G. W. F. Hegel & A. V. Miller - 1977 - International Journal for Philosophy of Religion 10 (4):268-271.
Phenomenology of spirit.Georg Wilhelm Friedrich Hegel - 1977 - Oxford: Clarendon Press. Edited by Arnold V. Miller & J. N. Findlay.
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