Blackness beyond witness: Black Vernacular phenomena and auditory identity
Philosophy and Social Criticism 35 (7):747-759 (2009)
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Brian Locke (1998). “Top Dog,” “Black Threat,” and “Japanese Cats”: The Impact of the White-Black Binary on Asian-American Identity. Radical Philosophy Review 1 (2):98-125.
Øystein Linnebo & F. A. Muller (forthcoming). On Witness-Discernibility of Elementary Particles. Erkenntnis.
Susan Pockett (1999). Anesthesia and the Electrophysiology of Auditory Consciousness. Consciousness and Cognition 8 (1):45-61.
Corey D. B. Walker (2004). Modernity in Black: Du Bois and the (Re)Construction of Black Identity in the Souls of Black Folk. Philosophia Africana 7 (1):83-93.
Ned Block (2006). Max Black's Objection to Mind-Body Identity. Oxford Review of Metaphysics 3.
Charles W. Mills (1998). Blackness Visible: Essays on Philosophy and Race. Cornell University Press.
Matthew Nudds (2010). What Are Auditory Objects? Review of Philosophy and Psychology 1 (1):105-122.
Brian E. Butler (2010). Blackness is Noir: Flory's Philosophical Investigation of the Black Noir Genre in Film. [REVIEW] Film-Philosophy 14 (1):332-336.
Lionel K. McPherson & Tommie Shelby (2004). Blackness and Blood: Interpreting African American Identity. Philosophy and Public Affairs 32 (2):171–192.
Don Ihde (1966). Some Auditory Phenomena. Philosophy Today 10:227-235.
Caroline Bressey (2003). Looking for Blackness: Considerations of a Researcher's Paradox. Ethics, Place and Environment 6 (3):215 – 226.
Charles B. Cross (1995). Max Black on the Identity of Indiscernibles. Philosophical Quarterly 45 (180):350-360.
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