David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy and Social Criticism 35 (7):747-759 (2009)
The article posits that philosophy’s visual bias has limited exploration of the ways in which sound, and the awareness of sound, offers an alternative framework for social change. It moves from sight to sound and from visual witnessing to sound-based wit(h)ness to illustrate the implications of sound as a form of political resistance. Combining insights from the work of Michel Foucault and Emmanuel Levinas with elements of the Black Vernacular tradition, it articulates the ways in which the blues, jazz and work songs evoke distinctive sound-based wit(h)ness to perform philosophical interventions by destabilizing the status quo, offering a nonphenotypical account of black solidarity, and transforming what counts as work
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Brian Locke (1998). “Top Dog,” “Black Threat,” and “Japanese Cats”: The Impact of the White-Black Binary on Asian-American Identity. Radical Philosophy Review 1 (2):98-125.
Øystein Linnebo & F. A. Muller (2013). On Witness-Discernibility of Elementary Particles. Erkenntnis 78 (5):1133-1142.
Susan Pockett (1999). Anesthesia and the Electrophysiology of Auditory Consciousness. Consciousness and Cognition 8 (1):45-61.
Corey D. B. Walker (2004). Modernity in Black: Du Bois and the (Re)Construction of Black Identity in the Souls of Black Folk. Philosophia Africana 7 (1):83-93.
Ned Block (2006). Max Black's Objection to Mind-Body Identity. Oxford Review of Metaphysics 3:3-78.
Charles W. Mills (1998). Blackness Visible: Essays on Philosophy and Race. Cornell University Press.
Matthew Nudds (2010). What Are Auditory Objects? Review of Philosophy and Psychology 1 (1):105-122.
Brian E. Butler (2010). Blackness is Noir: Flory's Philosophical Investigation of the Black Noir Genre in Film. [REVIEW] Film-Philosophy 14 (1):332-336.
Lionel K. McPherson & Tommie Shelby (2004). Blackness and Blood: Interpreting African American Identity. Philosophy and Public Affairs 32 (2):171–192.
Don Ihde (1966). Some Auditory Phenomena. Philosophy Today 10:227-235.
Caroline Bressey (2003). Looking for Blackness: Considerations of a Researcher's Paradox. Ethics, Place and Environment 6 (3):215 – 226.
Charles B. Cross (1995). Max Black on the Identity of Indiscernibles. Philosophical Quarterly 45 (180):350-360.
Added to index2010-09-14
Total downloads9 ( #148,126 of 1,096,453 )
Recent downloads (6 months)2 ( #134,922 of 1,096,453 )
How can I increase my downloads?