Aesthetics: Volume 2
Clarendon Press (1998)
| Abstract | In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal way into his Aesthetics. In Part I he considers the general nature of art: he distinguishes art, as a spiritual experience, from religion and philosophy; he discusses the beauty of art and differentiates it from the beauty of nature; and he examines artistic genius and originality. Part II provides a sort of history of art, divded into three periods called Symbolic (India, Persia, Egypt), Classical (Greece), and Romantic (medieval and post-medieval up to the end of the eighteenth century). Part III deals individually with architecture, sculpture, painting, music, and literature. | |||||||||
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| ISBN(s) | 9780198238171 | |||||||||
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G. W. F. Hegel (1998). Aesthetics: Volume 1. Clarendon Press.
Anne D. R. Sheppard (1987). Aesthetics: An Introduction to the Philosophy of Art. Oxford University Press.
Paul Crowther (2007). Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford University Press.
Giorgio Agamben (1999). The Man Without Content. Stanford University Press.
Matthew Kieran (ed.) (2006). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..
Kathleen Kadon Desmond (2011). Ideas About Art. Wiley-Blackwell.
Keith Lehrer (2012). Art, Self, and Knowledge. Oxford University Press.
Florian Demont (2008). The Expression of Self-Consciousness in Kamala Das's ''An Introduction''. Consciousness, Literature, and the Art 9 (2).
Paul Mattick (ed.) (1993). Eighteenth-Century Aesthetics and the Reconstruction of Art. Cambridge University Press.
Eva Geulen (2006). The End of Art: Readings in a Rumor After Hegel. Stanford University Press.
Derek Allan (2013). Art and Time. Cambridge Scholars.
Hugh Barr Nisbet (ed.) (1985). German Aesthetic and Literary Criticism. Cambridge University Press.
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
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