Off the Beaten Track
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Cambridge University Press (2002)
This collection of texts (originally published in German under the title Holzwege) is Heidegger's first post-war book and contains some of the major expositions of his later philosophy. Of particular note are 'The Origin of the Work of Art', perhaps the most discussed of all of Heidegger's essays, and 'Nietzsche's Word 'God is Dead',' which sums up a decade of Nietzsche research. Although translations of the essays have appeared individually in a variety of places, this is the first English translation to bring them all together as Heidegger intended. The text is taken from the last edition of the work, which contains the author's final corrections together with important marginal annotations that provide considerable insight into the development of his thought. This fresh and accurate new translation will be an invaluable resource for all students of Heidegger, whether they work in philosophy, literary theory, religious studies, or intellectual history.
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|Call number||B3279.H47.E5 2002|
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Citations of this work BETA
Patrick A. Heelan (2009). The Role of Consciousness as Meaning Maker in Science, Culture, and Religion. Zygon 44 (2):467-486.
Joseph Rouse (2011). Articulating the World: Experimental Systems and Conceptual Understanding. International Studies in the Philosophy of Science 25 (3):243 - 254.
Benoît Dillet (2013). What Is Called Thinking?: When Deleuze Walks Along Heideggerian Paths. Deleuze Studies 7 (2):250-274.
Roy Sellars (2012). The Ghost of the Unnameable. Derrida Today 5 (2):248-263.
Michael Eng (2013). Art and the Heideggerian Repression. Comparative and Continental Philosophy 5 (1):19-35.
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