Off the Beaten Track
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Cambridge University Press (2002)
This collection of texts (originally published in German under the title Holzwege) is Heidegger's first post-war book and contains some of the major expositions of his later philosophy. Of particular note are 'The Origin of the Work of Art', perhaps the most discussed of all of Heidegger's essays, and 'Nietzsche's Word 'God is Dead',' which sums up a decade of Nietzsche research. Although translations of the essays have appeared individually in a variety of places, this is the first English translation to bring them all together as Heidegger intended. The text is taken from the last edition of the work, which contains the author's final corrections together with important marginal annotations that provide considerable insight into the development of his thought. This fresh and accurate new translation will be an invaluable resource for all students of Heidegger, whether they work in philosophy, literary theory, religious studies, or intellectual history.
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Citations of this work BETA
Mark Sinclair (2014). Inheritance, Originality and the Will: Bergson and Heidegger on Creation. International Journal of Philosophical Studies 22 (5):655-675.
Patrick A. Heelan (2009). The Role of Consciousness as Meaning Maker in Science, Culture, and Religion. Zygon 44 (2):467-486.
Joseph Rouse (2011). Articulating the World: Experimental Systems and Conceptual Understanding. International Studies in the Philosophy of Science 25 (3):243 - 254.
Francine Wynn (2006). Art as Measure: Nursing as Safeguarding. Nursing Philosophy 7 (1):36-44.
Peter Warnek (2014). Prolegomena to Monstrous Philosophy or Why It is Necessary to Read Schelling Today. Comparative and Continental Philosophy 6 (1):49-67.
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