David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Critical Horizons 1 (1):147-167 (2000)
While Shakespeare's historical and political imagination mainly centres on the traditional character of the stranger or exile, The Merchant of Venice and Othello stand out as dramas about a new figure, the absolute stranger. The absolute stranger belongs to a new situation Shakespeare found in cosmopolitan Venice. Through Shylock and Othello, Shakespeare encounters the drama of the outsider's failed assimilation into cosmopolitan life. For Shakespeare, the figure of the absolute stranger is a representative illusion, and these two plays are dramas about the modern world.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Jennifer Ann Bates (2010). Hegel and Shakespeare on Moral Imagination. State University of New York Press.
Eleni Karamali (2007). Has the Guest Arrived Yet? Emmanuel Levinas, a Stranger in Business Ethics. Business Ethics 16 (3):313–321.
A. F. Giles (1939). The Stranger at the Gate T. J. Haarhoff: The Stranger at the Gate. Pp. Xii+354. London: Longmans, 1938. Cloth, 12s. 6d. The Classical Review 53 (04):140-141.
Kevin M. Cherry (2012). Plato, Aristotle and the Purpose of Politics. Cambridge University Press.
Martin Harries (2000). Scare Quotes From Shakespeare: Marx, Keynes, and the Language of Reenchantment. Stanford, Calif.Stanford University Press.
Socrates, Phaedrus & Stranger (2008). The Rhodesian Stranger. In D. E. Wittkower (ed.), Ipod and Philosophy. Open Court.
Hassel (1971). Saint Paul and Shakespeare's Romantic Comedies. Thought 46 (3):371-388.
Henry Weinfield (2010). “We Are the Jasons, We Have Won the Fleece”: Antonio's Plot (and Shakespeare's) in The Merchant of Venice (What Really Happens in the Play). The European Legacy 15 (2):149-158.
Richard Green Moulton (1903/1969). The Moral System of Shakespeare. [Folcroft, Pa.Folcroft Press.
Thomas W. Ogletree (1985/2003). Hospitality to the Stranger: Dimensions of Moral Understanding. Westminster John Knox Press.
Added to index2009-01-28
Total downloads62 ( #22,692 of 1,096,180 )
Recent downloads (6 months)1 ( #218,857 of 1,096,180 )
How can I increase my downloads?