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- Benj Hellie, Visual Form, Attention, and Binocularity.This somewhat odd paper argues against a representational view of visual experience using an intricate "inversion" type thought experiment involving double vision: two subjects could represent external space in the same way while differing phenomenally due to different "spread" in their double images. The spatial structure of the visual field is explained not by representation of external space but functionally, in terms of the possible locations of an attentional spotlight.
I'm fond of the ideas in this paper but doubt I'll be returning to it soon.
Similar books and articles
Neuropsychological findings used to motivate the “two visual systems” hypothesis have been taken to endanger a pair of widely accepted claims about spatial representation in visual experience. The first is the claim that visual experience represents 3-D space around the perceiver using an egocentric frame of reference. The second is the claim that there is a constitutive link between the spatial contents of visual experience and the perceiver’s bodily actions. In this paper, I carefully assess three main sources of evidence for the two visual systems hypothesis and argue that the best interpretation of the evidence is in fact consistent with both claims. I conclude with some brief remarks on the relation between visual consciousness and rational agency.
Visual space can be distinguished from physical space. The ?rst is found in visual experi- ence, while the second is de?ned independently of perception. Theorists have wondered about the relation between the two. Some investigators have concluded that visual space is non- Euclidean, and that it does not have a single metric structure. Here it is argued (1) that visual space exhibits contraction in all three dimensions with increasing distance from the observer, (2) that experienced features of this contraction (including the apparent convergence of lines in visual experience that are produced from physically parallel stimuli in ordinary viewing con- ditions) are not the same as would be the experience of a perspective projection onto a fronto- parallel plane, and (3) that such contraction is consistent with size constancy. These properties of visual space are di?erent from those that would be predicted if spatial perception resulted from the successful solution of the inverse problem. They are consistent with the notion that optical constraints have been internalized. More generally, they are also consistent with the notion that visual spatial structures bear a resemblance relation to physical spatial structures. This notion supports a type of representational relation that is distinct from mere causal cor- respondence. The reticence of some philosophers and psychologists to discuss the structure of phenomenal space is diagnosed in terms of the simple materialism and the functionalism of the 1970s and 1980s.
This paper presents an ‘over-representational’ account of blurred visual experiences. The basic idea is that blurred experiences provide too much, inconsistent, information about objects’ spatial boundaries, by representing them as simultaneously located at multiple locations. This account attempts to avoid problems with alternative accounts of blurred experience, according to which blur is a property of a visual field, a way of perceiving, a form of mis-representation, and a form of under-representation.
Mole's (2008 [this issue]) argument that consciousness is a necessary concomitant of attention rests on the question of what is being attended in spatial attention. His answer is space. Some authors, including ourselves, claim that the fact that the processing of unseen objects can be modulated by spatial attention (e.g. Kentridge et al., 1999; 2004; 2008; Marzouki et al., 2007; Sumner et al., 2006) demonstrates that visual attention is not a sufficient precondition for visual awareness. Mole, however, contends that as space, rather than any object that might occupy that space, is what is being attended, these experiments do not constitute evidence for a dissociation between attention and consciousness. We disagree. To understand the source of this disagreement we need to understand the various processes encompassed by the term 'attention' and to consider experimental evidence illustrating how these processes operate. We review evidence that spatial attention can be deployed with the specific goal of determining the properties of objects occupying the attended region of space. One might, for example, attend to a location with the goal of determining the colour of objects occupying that space as efficiently as possible. Mole's assumption that all that is attended in spatial attention is space is not consistent with this evidence. We conclude that attention can be directed at objects by mechanisms of so- called 'spatial attention' without those objects necessarily eliciting conscious visual experience and hence that attention is not a sufficient precondition for visual awareness.
A common objection to representationalism is that a representationalist view of phenomenal character cannot accommodate the effects that shifts in covert attention have on visual phenomenology: covert attention can make items more visually prominent than they would otherwise be without altering the content of visual experience. Recent empirical work on attention casts doubt on previous attempts to advance this type of objection to representationalism and it also points the way to an alternative development of the objection.
Visual space can be distinguished from physical space. The first is found in visual experience, while the second is defined independently of perception. Theorists have wondered about the relation between the two. Some investigators have concluded that visual space is non- Euclidean, and that it does not have a single metric structure. Here it is argued (1) that visual space exhibits contraction in all three dimensions with increasing distance from the observer, (2) that experienced features of this contraction (including the apparent convergence of lines in visual experience that are produced from physically parallel stimuli in ordinary viewing conditions) are not the same as would be the experience of a perspective projection onto a frontoparallel plane, and (3) that such contraction is consistent with size constancy. These properties of visual space are different from those that would be predicted if spatial perception resulted from the successful solution of the inverse problem. They are consistent with the notion that optical constraints have been internalized. More generally, they are also consistent with the notion that visual spatial structures bear a resemblance relation to physical spatial structures. This notion supports a type of representational relation that is distinct from mere causal correspondence. The reticence of some philosophers and psychologists to discuss the structure of phenomenal space is diagnosed in terms of the simple materialism and the functionalism of the 1970s and 1980s. Ó 2003 Elsevier B.V. All rights reserved.
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Because the visual system cannot process all of the objects, colors, and features present in a visual scene, visual attention allows some visual stimuli to be selected and processed over others. Most research on visual attention has focused on spatial or location-based attention, in which the locations occupied by stimuli are selected for further processing. Recent research, however, has demonstrated the importance of objects in organizing (or segregating) visual scenes and guiding attentional selection. Because of the long history of spatial attention research, theories of spatial attention are more mature than theories of other visual processes, such as object segregation and object attention. In the present paper, I outline a biased competition account of object segregation and attention, following similar accounts that have been developed for spatial attention (Desimone and Duncan, 1995). In my biased competition account, I seek to understand how some objects can be segregated and selected over other objects in a complex visual scene. Under this account, there are two sources of visual information that allow an object to be processed over other objects: bottom-up information carried by the physical stimulus and top-down information based on an observer's goals. I use the biased competition account to combine many diverse findings from the object segregation and attention literatures into a common framework.
This paper examines the status of unattended visual stimuli in the light of recent work on the role of attention in visual perception. Although the question of whether attention is required for visual experience seems very interesting, this paper argues that there currently is no good reason to take a stand on the issue. Moreover, it is argued that much of the allure of that question stems from a continued attachment to the defective ‘inner picture view’ of experience and a mistaken notion that the ultimate goal of vision is to produce visual experience. The paper considers a promising general account of the content and structure of vision and presents reasons for not taking that account to be committed to any substantive claims about the experiential status of unattended visual stimuli. Also addressed are the active nature of vision and the role of vision in enabling our ecological success. These considerations highlight that visual experience is not the whole of vision and that a much more important question about unattended visual stimuli than whether they are consciously experienced is what contribution they make to how we interact with the world.
My concern in this paper is with the aspect of the phenomenal character of visual experience that pertains to its spatial dimension. I shall refer to this aspect as visual space. Kant famously claimed that the representation of space is the a priori form of the faculty of sensibility. This claim is sometimes interpreted as the view that visual space is a pictorial canvas contributed by the mind on which sensations such as color experiences are organized. This reading, whether it is correct or not, consists of at least two independent claims. First, visual space is contributed by the mind. Second, visual space is a pictorial canvas. Both of theses claims, of course, demand further explication. However.
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