Relations of Literary Form and Philosophical Purpose in Hume's Four Essays on Happiness
Hume Studies 33 (1):3-19 (2007)
| Abstract | This paper examines Hume’s four essays on happiness: the “Epicurean,” the “Stoic,” the “Platonist,” and the “Sceptic.” I argue, first, that careful attention to how these essays are written shows that they do not simply argue for one position over others. They also elicit affective and imaginative responses in order to modify the reader’s outlook and to improve the reader’s understanding in service to moral ends. The analysis offers an improved reading of the essays and highlights the intimate connections between the purposes of philosophical writing and its manner of presentation. Secondly, I contend that appreciating how Hume’s essays on happiness work on the reader demonstrates the insufficiency of Hume’s categories of “anatomist” and “painter.” | |||||||||
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Scott Black (2011). Thinking in Time in Hume's Essays. Hume Studies 36 (1):3-23.
John Immerwahr (1989). Hume's Essays on Happiness. Hume Studies 15 (2):307-324.
Marina Frasca-Spada & P. J. E. Kail (eds.) (2005). Impressions of Hume. Oxford University Press.
Martin Bell (2001). The Relation Between Literary Form and Philosophical Argument in Hume’s Dialogues Concerning Natural Religion. Hume Studies 27 (2):227-246.
Jacobson (ed.) (2000). Feminist Interpretations of David Hume. Penn State Press.
Fred Feldman (2010). What is This Thing Called Happiness? Oxford University Press.
Moritz Baumstark (2010). Hume's Reading of the Classics at Ninewells, 1749–51. Journal of Scottish Philosophy 8 (1):63-77.
Terence Penelhum (2000). Themes in Hume: The Self, the Will, Religion. Oxford University Press.
Don Garrett (2002). Hume on Testimony Concerning Miracles. In Reading Hume on Human Understanding: Essays on the First Enquiry. Clarendon Press.
David Fate Norton & Jacqueline Anne Taylor (eds.) (2009). The Cambridge Companion to Hume. Cambridge University Press.
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