Abstract

In the mid XIXth century, an illustrated intellectual minority questioned the colonial mentality of the system of Spanish domination revealing in its writings an attempt at construction of the sign of woman based on liberal, progressive and post independence ideologies. Within this minority we find the Colombian writer Soledad Acosta de Samper, whose concern for the social condition of women is revealed in her work in the image of an educated woman. Using the text La mujer en la sociedad moderna [Woman in Modern Society] and the novel Una holandesa en América [A Dutch Woman in America], this article analyzes two aspects of the image of women in Acosta: that of woman as a moralizer and that of religiosity. The analysis of these two themes shows Acosta’s use of the normative discourses of the period in her project of giving woman a more important social role and they become strategies to tone down the potential for transgression of the new situation for women that she desires