David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Hypatia 18 (4):87-105 (2003)
: I assess representations of black women's derrières, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the "unmirrored" black female body.
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References found in this work BETA
Immanuel Kant (1790). Critique of Judgment. Barnes & Noble Books.
Paula Giddings (1989). [Book Review] When and Where I Enter, the Impact of Black Women on Race and Sex in America. [REVIEW] Feminist Studies 15:573-590.
Rosemarie Garland Thomson (1997). Extraordinary Bodies Figuring Physical Disability in American Culture and Literature. Monograph Collection (Matt - Pseudo).
Citations of this work BETA
Paul C. Taylor (2010). Black Aesthetics. Philosophy Compass 5 (1):1-15.
Ashley Taylor (2015). The Discourse of Pathology: Reproducing the Able Mind Through Bodies of Color. Hypatia 30 (1):181-198.
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