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- T. P. Hohler (1982). Imagination and Reflection: Intersubjectivity: Fichte's Grundlage of 1794. Distributors for the United States and Canada, Kluwer Boston.
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This thesis poses two fundamental issues regarding Hegel's philosophy of intersubjectivity. Firstly, it examines Kojeve's problematic interpretation of Hegelian intersubjectivity as being solely rooted in the dialectic of lordship and bondage. It is my contention that Kojeve conflates the concepts of recognition {Anerkennung) with that of desire (Begierde), thereby reducing Hegel's philosophy of intersubjectivity to a violent reduction of the other to the same. This is so despite the plenary of examples Hegel uses to define intersubjectivity as the mutual (reciprocal) recognition between the self and the other. Secondly, it examines Hegel's use of Sophocles' Antigone to demonstrate the notion of the individual par excellence. I contend that Hegel's use of Antigone opens a new methodological framework through which to view his philosophy of intersubjectivity. It is Antigone that demonstrates the upheaval of an economy of exchange between the self and the other, whereby the alterity of the other transcends the self Ultimately, Hegel's philosophy of intersubjectivity must be reexamined, not only to dismiss Kojeve's problematic interpretation, but also to pose the possibility that Hegel's philosophy of intersubjectivity can viably account for a philosophy of the other that has a voice in contemporary philosophical debate.
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On the distinction between static and genetic phenomenologies -- On time consciousness and its relationship to intersubjectivity -- On the question of intersubjectivity -- The Husserlian account of ethics -- Conclusion: The impact of genetic phenomenology.
Introduction -- Epistemology, metaphysics, and rhetoric : contexts of imagination -- Aristotle, Phantasia, and the problem of epistemology -- Plato, the neoplatonists, and the vagaries of the sublunar world -- Phantasia and ecstatic knowledge -- A more skillful artist than imitation -- Dreams, doubts, and evil demons : Descartes and imagination -- Mediatio prima : certainty, the cogito, and imagination -- Imagination in the rules -- Meditatio secunda : the world of the cogito -- Descartes, Montaigne, and Pascal -- Analogies and enthusiasm -- Excogitations : fabulating the cogito -- The reasonable imagination : Immanuel Kant's critical philosophy -- Imagination in the limits of pure reason -- Dreamers and madmen : imagination in the anthropology -- Natural art and sublime madness : imagination in the critique of judgment -- The highest point of philosophy : Fichte's reimagining of the kantian system -- The logics of positing intellectual intuition and the absolute subject -- Ecstasy, inspired communication, and philosophical genius -- Light, dusk, and darkness : the reconciliation of opposites -- The metaphysics of oscillation and the truth of imagination -- Reason fixations : arresting imagination -- A system without foundations : poetic subjectivity in Friedrich von Hardenberg's Ordo inversus -- A system without foundations -- Fantasy and the body -- Divine law and abject subjectivity : Coleridge and the double knowledge of imagination -- Divine imagination -- The abyss of the empirical self -- Coda: Imagining ideology.
The challenge to philosophy of mind for the past two hundred years has been to overcome the Cartesian conception of mind. This essay explores the attempt to do this by J. G. Fichte, especially regarding intersubjectivity or the knowledge of other minds. Fichte provides a transcendental deduction of the concept of the other I, as a condition for experiencing the individuality of our own I. The basis of this argument is the concept of the "summons", which Fichte argues is necessary for us to form the concept of an end of our own action.
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Articulate and perceptive, Intersubjectivity is a text that explains the notions of intersubjectivity as a central concern of philosophy, sociology, psychology, and politics. Going beyond this broad-ranging introduction and explication, author Nick Crossley provides a critical discussion of intersubjectivity as an interdisciplinary concept to shed light on our understanding of selfhood, communication, citizenship, power, and community. The volume traces the contributions of key thinkers engaged within the intersubjectivist tradition, including Husserl, Buber, Kojeve, Merlau-Ponty, Mead, Wittgenstein, Schutz, and Habermas. A clear, concise introduction to a range of difficult concepts and thinkers, Intersubjectivity demystifies this very interdisciplinary subject for advanced and graduate-level students of philosophy, sociology, social psychology, and social and political theory.
Dear John, You would have agreed with me that by writing to you I am putting into practice what your essay is all about: an act of cognitive intersubjectivity. It aims at reaching a common understanding or even a shared interpretation that is sufficiently wide to include whatever differences may remain between us. At the same time, I am aware, and painfully so, that this intersubjectivity has become asymmetrical, for you will not be able to respond this time. The symmetry has been broken (and you know better than I what this means in physics). And yet, cognitive intersubjectivity enables me to render you fully present in my imagination. Therefore, by writing to you as I have done in the past, I wish to render homage to you as a friend and colleague. But it is also a tribute to your endless curiosity, your firm belief in the power of ideas and to your wisdom. For you have chosen intersubjectivity as one of your last intellectual puzzles to solve. May the bonds of intersubjectivity live on for generations to come.
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Introduction -- An introduction to the crisis of spirit : technology and the Fichtean imagination -- Technology and truth : representation and the problem of the third term -- Spirit and the technology of the letter -- The spatial imagination : affect, image, and the critique of representational consciousness -- Subtle matter and the ground of intersubjectivity -- The aesthetic of influence -- The first displacement : from subjectivity to being -- The second displacement : from a metaphysical to a technological imagination.
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