Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Stanford University Press (2001)
Ranging chronologically from the twelfth to the fifteenth century and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization.
|Keywords||Music Philosophy and aesthetics Body, Human, in music Body, Human, in literature Body, Human History of doctrines|
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|Buy the book||$24.78 used (70% off) $64.71 new (20% off) $80.00 direct from Amazon Amazon page|
|Call number||ML3845.H64 2001|
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Citations of this work BETA
Elizabeth Eva Leach (2010). Music and Verbal Meaning: Machaut's Polytextual Songs. Speculum 85 (3):567-591.
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