David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Topics in Cognitive Science 4 (4):513-524 (2012)
What was the role of music in the evolutionary history of human beings? We address this question from the point of view that musicality can be defined as a cognitive trait. Although it has been argued that we will never know how cognitive traits evolved (Lewontin, 1998), we argue that we may know the evolution of music by investigating the fundamental cognitive mechanisms of musicality, for example, relative pitch, tonal encoding of pitch, and beat induction. In addition, we show that a nomological network of evidence (Schmitt & Pilcher, 2004) can be built around the hypothesis that musicality is a cognitive adaptation. Within this network, different modes of evidence are gathered to support a specific evolutionary hypothesis. We show that the combination of psychological, medical, physiological, genetic, phylogenetic, hunter–gatherer, and cross-cultural evidence indicates that musicality is a cognitive adaptation
|Keywords||Beat induction Relative pitch Musicality Adaptation Evolutionary psychology Music cognition Innateness|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
Jerome Barkow, Leda Cosmides & John Tooby (eds.) (1992). The Adapted Mind: Evolutionary Psychology and the Generation of Culture. Oxford University Press.
Lee J. Cronbach & P. E. Meehl (1956). Construct Validity in Psychological Tests. In Herbert Feigl & Michael Scriven (eds.), Minnesota Studies in the Philosophy of Science. , Vol. 1--174.
Paul Sheldon Davies (1996). Discovering the Functional Mesh: On the Methods of Evolutionary Psychology. [REVIEW] Minds and Machines 6 (4):559-585.
Frans B. M. de Waal & Pier Francesco Ferrari (2010). Towards a Bottom-Up Perspective on Animal and Human Cognition. Trends in Cognitive Sciences 14 (5):201-207.
Citations of this work BETA
David Huron (2012). Two Challenges in Cognitive Musicology. Topics in Cognitive Science 4 (4):678-684.
Marcus Pearce & Martin Rohrmeier (2012). Music Cognition and the Cognitive Sciences. Topics in Cognitive Science 4 (4):468-484.
Similar books and articles
Gary F. Marcus (2012). Musicality: Instinct or Acquired Skill? Topics in Cognitive Science 4 (4):498-512.
Barbara Tillmann (2012). Music and Language Perception: Expectations, Structural Integration, and Cognitive Sequencing. Topics in Cognitive Science 4 (4):568-584.
Stephanie M. Stalinski & E. Glenn Schellenberg (2012). Music Cognition: A Developmental Perspective. Topics in Cognitive Science 4 (4):485-497.
Ian Cross (2012). Cognitive Science and the Cultural Nature of Music. Topics in Cognitive Science 4 (4):668-677.
Catherine J. Stevens (2012). Music Perception and Cognition: A Review of Recent Cross‐Cultural Research. [REVIEW] Topics in Cognitive Science 4 (4):653-667.
Nathan Kogan (1997). Reflections on Aesthetics and Evolution. Critical Review 11 (2):193-210.
Peter J. Richerson & Robert Boyd (2000). Climate, Culture and the Evolution of Cognition. In Celia Heyes & Ludwig Huber (eds.), The Evolution of Cognition. Mit Press. 329--45.
Marcus T. Pearce & Geraint A. Wiggins (2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. Topics in Cognitive Science 4 (4):625-652.
António Zilhão (ed.) (2005). Evolution, Rationality, and Cognition: A Cognitive Science for the Twenty-First Century. Routledge.
Dietrich Stout (2010). The Evolution of Cognitive Control. Topics in Cognitive Science 2 (4):614-630.
Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.) (2011). Language and Music as Cognitive Systems. Oup Oxford.
Mark Reybrouck (2005). A Biosemiotic and Ecological Approach to Music Cognition: Event Perception Between Auditory Listening and Cognitive Economy. [REVIEW] Axiomathes. An International Journal in Ontology and Cognitive Systems. 15 (2):229-266.
Raya Jones (2006). The Person Still Comes First: The Continuing Musical Self in Dementia. Journal of Consciousness Studies 13 (3):73-93.
George H. Kyme (1970). The Value of Aesthetic Judgments in Music in the Assessment of Musicality of Elementary School Children. Berkeley,University of California.
Added to index2012-07-04
Total downloads13 ( #136,961 of 1,410,540 )
Recent downloads (6 months)5 ( #46,503 of 1,410,540 )
How can I increase my downloads?